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In the last great Ice Age, when cave bears roamed the snowy earth, peoples across Europe, Asia, and North America all honored the Bear. Because bears hibernate, they return in the spring, along with the sun, the warmth, and the fertility of the land. It would make sense to do a dance with loud drumming in the spring to wake them up, thus bringing the blessings of springtime, but Tot Ursi is still performed to this day in Romania, and it is part of the winter solstice celebrations. Like winter solstice traditions of burning a Yule Log to keep the light alive while the sun is god, Tot Ursi is danced to keep the Bear spirit alive while the bears are gone. (For further reading on Bear spirituality, see Alan Leddon’s book Religion Laid Bear.)

In Tot Ursi, meaning "All Bears," the dancers can growl and make bear-like sounds, but they also make “brrrrr” sounds, which don’t sound like a bear at all. I think the “brrr” sound may be a form of lalling. Lalling is making nonsense sounds such as “lalala” in a song, or for ritual purposes. Lalling is named after the Germanic god Lollus. I found Tot Ursi while doing genealogical research on my last name (for more info on that topic, see my blog post  Lollus, Löhl, and Ursul din Lăloaia )

I am a fairly published . . . author. I still have trouble calling myself that, there's so much expectation with that word but I have a book coming out with one of the oldest publishers in the U.S. and a stack of anthologies that I write for regularly.

I’m preparing to teach Basic Folk Dance at Southwest Frith Moot. My time slot between the other things on the schedule is a half hour, so I’ve selected two dances, Hora and Tot Ursi. Tot Ursi is a procession dance and the Hora is a round dance. Tot Ursi is so simple that I can teach it before I teach any actual dance basics, so I can teach Tot Ursi, do a short lecture teaching dance basics, and then teach the Hora. The dance basics I need to teach for the second dance include what “line of direction” means (move to the right, starting on the right foot), how to hold hands (dancing in a circle round, left hand up and the right one down,) and how to cut in.

My mom and I dance with the Ethnic Express Folk Dancers. We dance to bring people together—ourselves, most of all—and to preserve the world heritage of dance. I’m the only heathen in the dance group. Mom and I originally got into folk dance as an activity we could do together when I was in high school. Even when she can’t dance, our folk dance friends are a big part of our life.

Folk dance is ritual. Dances are performed for holidays, weddings, the agricultural cycle, and to bring people together. I’m going to teach folk dance at an upcoming heathen gathering.

At the dawn of agricultural, newly settled villagers who needed to work together on farm tasks danced together to learn how to move as a unit and co-ordinate with each other, and to build team spirit. Those are also some reasons for military marching. There are folk dances that actually are forms of military drill, such as the vari hasapikos, a Greek men’s dance for a four man team, that teaches how to read a leader’s hand signals and follow them in unison.

Many Pagans and Witches remain under the impression that the practice of Witchcraft as a religion or religious belief system is illegal in South Africa. It is not!

With the passage of South Africa’s first democratic Constitution in 2006, including a Bill of Rights (Chapter Two of the Constitution – see below) and its constitutional guarantee of the right to equality and freedom of religion and belief for all citizens, any and all existing legislation inconsistent with the Constitution *automatically* became invalid (unconstitutional) subject to Legislative review. Effectively, this means that the 1957 Witchcraft Suppression Act, which prohibited, a) professing knowledge of witchcraft, b) the practice of witchcraft and c) the use of divination, effectively became invalid and unconstitutional as of 2006.

The Slow Loris (Nycticebus coucang) moves at a leisurely pace through the forests of Southeast Asia. With her slow and steady hand-over-hand movements, Slow Loris deliberately goes from tree top to tree top. Since She often hangs upside down as well, naturalists first believed that Slow Loris was a relative of the sloth of the Americas. Instead, She is a prosimian, a forerunner of monkeys.

As an omnivore, Slow Loris feeds on leaves, insects and small lizards. Using her keen sense of smell, She hunts at night for insects that are poisonous to many animals. Following the scent trail, Slow Loris tracks the insect. Moving unhurriedly, She sneaks up on her victim unnoticed. Then holding onto one branch with her hind foot, Slow Loris quietly reaches out and grabs her prey with her fingers.

What is written in Earth, endures.

What the Lake receives, she keeps.

At 14, he climbed down the cliff. On the beach, he built a fire.

He stripped off his clothes.

I AM A WITCH, he wrote, in capitals: in the wet sand between shore and water, for the Lake to take.

He swam out, into the wind, as far as he could. Then he turned and swam back to shore.

He dried himself at the fire. He dressed and climbed back up.

He went back home.