PaganSquare is a community blog space where Pagans can discuss topics relevant to the life and spiritual practice of all Pagans.

  • Home
    Home This is where you can find all the blog posts throughout the site.
  • Tags
    Tags Displays a list of tags that have been used in the blog.
  • Bloggers
    Bloggers Search for your favorite blogger from this site.
  • Login
    Login Login form
Recent blog posts

Posted by on in Paths Blogs
The Magick of Making

What is a spell? Is it the gathering together of specific items such as crystals, herbs, and colored candles during certain phases of the moon to heal?  Is it the power of an invocation chanted by a coven to bring a deity? Is it a song sung by a mother to her child to soothe them? Is it the drawing of a certain symbol on the ground of a sacred space designed to protect it? 

If we define magick as the process of focusing intention and applying will to situations, objects, and energy around us to cause a change in consciousness, then all of these activities are kinds of spells. They are all forms of magick in their own way.

So with that in mind, we may also consider the visual art-making process as a magical path. Of course, not every piece of art is a magickal working, but with the right elements and conditions, it has the potential. 

Art can be created to take on a variety of magickal purposes - here are a few examples:
-A painting or statue created to represent a deity, to remind us of the divine
-A vessel or sculpture created to house a spirit or other sort entity
-A work created for as a focus for meditation or to transform a person, place, or thing 
-Work created to be an interactive altar, sacred space or be part of an altar offering

And while nearly any object can be re-purposed for use in magick, there is something extra special about an item that was handcrafted with that intent in mind. Why?

As an artist, when I sit down to create a painting, piece of jewelry, drawing, or sculpture, there are numerous steps and factors involved.  I generally (and prefer to) create my work in my studio space, which is essentially my personal sacred space.  I consider what I wish to work on, making a list of what I need. I carefully prepare the area that I work in/on/around and painstakingly gathering my materials.  I choose the light, music, and time aside needed to focus - and then I get to work. If I am creating a custom painting for a client, then I am meditating on them and their needs.  If I am creating a piece that relates to a deity, then I approach them respectfully and allow a dialogue to occur that brings them into the process.

I find that creating work is a balance of conscious, subconscious, and unconscious levels of awareness and thought.  If I am too much in any one area (overthinking, or perhaps too much in trance), the work will not be as successful.  The body, mind, and spirit must be in alignment, yet also be fluid enough to allow for change.  

Through much experimenting and observation over the last 20 years, I have recognized the similarities between the state of being I experience during classic spellcraft and when I am creating art infused with magick.  The energy transfer feels identical, and as I have studied the work and experiences of other artists, I have noticed similar results in the product.  It has its own buzz that you not only see, but feel. Whether it's a ceramic chalice, a talisman necklace, an elemental mask, a goddess sculpture, or painting of a god - the hand-worked, mind-forged, spirit-infused item seems to possess something more, right from the start, and continues to build as it interacts with the world around it. 

Just like any good traditional spell, it requires skill and knowledge in the medium, the ability to focus one's intent and energy, and the patience, dedication, and understanding of working with the project and seeing it through until the end. 

If you don't consider yourself an artist, that's OK. Think about the art and artful objects you may have in your home, be they originals or copies.  Why did you choose those pieces, or how did they come to you?  How do they make you feel? Why do you have certain things in specific places? What about art or objects that you have left behind, given away, or sold? 

If you are an artist, and this is new and intriguing to you, then consider what media you are best in, and what sort of magick it may lend itself to.  Over the years I have created deathmasks and psychopomp portraits, spirit portals, fetishes, drawings to bring about change, paintings for meditation, altar objects, and energizing talismans to name a few.  There's a lot of potential out there, when you have the right mindset and skill to make it happen. 

Last modified on

Posted by on in Culture Blogs

b2ap3_thumbnail_fortune-teller-dog.jpg"You don't really believe in astrology, do you?"

It amazes me how often I have been asked this question, even by people who know I am a professional astrologer (and it’s a pretty insulting question to ask a professional.). The question itself is symptomatic of a deep bias against astrology that comes out of the scientific community. Refuting the reasons for that bias would take a whole book, and fortunately astrologer Pam Gregory has written one with the same title. But there are a few key points about astrology and science I’d like to make here.

1) Bias is a lousy basis for experimentation.

In the course of acquiring a solid scientific education, one of the first things I learned is that science is based on objective observation and testing. Theories are encouraged, but if your theory gets in the way of your facts, then it’s back to the drawing board or the lab bench. I also learned that scientists, like other humans, can be far from objective, cherish their pet theories, and even descend into intellectual dishonesty in defense of their preferred world view (or their grants). Astrology threatens the core world view of many scientists, and they attack it with such ferocity that it’s clear they have a real emotional investment in demolishing it. This leads to flawed reasoning, testing, and interpretation.

Last modified on
Recent Comments - Show all comments
  • Diotima
    Diotima says #
    Anthony, Yes, the midpoint between a solstice and equinox or equinox and solstice is always at 15 degrees of a fixed sign. Betwee
  • Anthony Gresham
    Anthony Gresham says #
    I once counted the days between the Autumnal Equinox and the Winter Solstice and found that the midpoint was around November 6th.

Posted by on in Paths Blogs
What can we know about Linear A?

It’s terribly frustrating trying to figure out what the ancient Minoans did in terms of religion – what they believed, how they practiced – because we can’t read anything they wrote. They were a literate culture, to be sure. They had both a hieroglyphic script and a syllabary. But we can’t read either one of them. There are clues, though.

The Cretan syllabary is commonly known as Linear A. It was used to write the native language of the ancient Minoans, which probably died out with the collapse of Minoan civilization in the second millennium BCE. However, there is a possibility that Eteocretan, which is attested as late as the 3rd century BCE, is either the native Minoan language or a direct descendant of it.

Last modified on
Recent Comments - Show all comments
  • Anthony Gresham
    Anthony Gresham says #
    Wouldn't it be ironic if "from the East" was originally "too the East" and the Minoan Linear A turns out to be a variant of Basque
  • Laura Perry
    Laura Perry says #
    Stranger things have happened! However, DNA testing on the human remains from several of the Minoan cemeteries shows that they are
Pagan News Beagle: Fiery Tuesday, October 6

Watch Patrick Stewart explain the difference between "refugees" and "migrants." American Indians / Native Americans hope to rename another national landmark. And the Syrian Civil War continues to boil over. It's Fiery Tuesday, our weekly take on political and social news from around the world! All this and more for the Pagan News Beagle!

Last modified on

Posted by on in Paths Blogs
The Actor's Life



Last modified on
Recent Comments - Show all comments
  • Ted Czukor
    Ted Czukor says #
    Dear Archer: I really love this post. I, too, saw the makeup on the actors' faces when we got our HD TV. This was especially sig
  • Archer
    Archer says #
    Wow, Ted what an interesting life you've led! I'm intrigued by your theory that we honour actors because an intuition that we wear
Pagan News Beagle: Airy Monday, October 5

The inspirational power of Hermione Granger is examined. We take a look at the webcomic "Witchy." And Marvel debuts a new comic series about their sorcerer supreme, Dr. Strange. It's Airy Monday, our weekly take on pop culture as it relates to magic and religion. All this and more for the Pagan News Beagle!

Last modified on
"The Veil Between The Worlds Is Thin"--What Does It Even Mean?

If you've been studying magic for a while, you've probably heard it a million times. For those in the Northern Hemisphere, in October - and particularly on October 31st (or Samhain) - the veil between the worlds is thin.

But what exactly is this veil? And why does it thin? And why does it matter?

As you may know, the realm of magic is something we understand through symbol, emotion, and vibration...Although it's important to remember that we never quite understand it, at least in the most literal sense. The divine, magical realm is always mysterious. By its very definition, it resides just outside our everyday consciousness and linear, reasoning mind.

This doesn't mean that we can't have a familiar, working relationship with all that is magical and mysterious, or that we can't draw upon it to create positive change. We absolutely can, and it works fabulously well. It just means that we can never quite put our finger on what exactly it is and how it works.

Of course, drawing upon magic to create positive change becomes much, much easier when we take the time on a regular basis - through things like ritual, communing with nature, and meditation - to tap into the divine/magical realm. When we do this, we remember that while we appear separate, we are in fact one with each other and with All That Is. Knowing this, we are empowered to wield our power to do things like energetically protect ourselves and manifest the conditions we desire. Additionally, things that appear like "cold, hard reality" in everyday consciousness - such as the separation of life and death, seen and unseen, known and unknown, as well as the linear and finite nature of time - are, quite obviously, revealed to be illusions.

And now we've arrived at what the veil is. It's the ethereal curtain between the everyday illusion of separation and the divine truth of eternity and oneness with all that is. When we meditate or perform ritual, or when we have a mystical experience of any variety, this curtain parts and we are able to gaze into the place of power, the place between the worlds.

And in October - particularly as we approach the end of the month - the Wheel of the Year naturally thins the veil for us so that it is easier to tap in and see the truth of interconnection, empowerment, and eternity.

Why? Because the days are getting shorter and the natural world is preparing to temporarily withdraw from the realm of life and growth. In other words, the harvest cycle is waning, but it's not gone. It's a transition, a doorway between the season of life and the season of death. We are reminded that in this realm, everything is in a state of flux. This allows us to see that beneath this realm of constant change, there is a wide open space of eternity. A place of stillness in which the appearance of change arises. A serene openness to which we will always return, and with which we are one, even at this very moment.

And that's why we love fall!

Its also why we naturally feel drawn to certain themes at this time of year, all of which correspond to the parted veil. Let's briefly examine a few of them.


There's no denying that at this time of year, whether or not you're magically inclined, death is the primary cultural symbol. Scary movies, ghosts, graveyards, zombies, and skeletons abound. And it's worth noting that for a culture that normally does its best to brush the topic of death under the rug (or to pretend that it's a freak occurrence that only happens to other people), this is rather astonishing. Also astonishing is that this time of year (which falls in May in the Southern Hemisphere) is rather consistently associated with death, across cultures and continents.

For three generations, my dad's side of the family has been in the funeral business. And I love visiting the Spanish style funeral chapel in my rural California hometown because it's always like October there: the veil between the worlds is always thin. It's a place where the transition between this realm and the other realm has been honored over and over and over again for decades. There is something about the way the sunlight shines through the windows that brings you smack into the center of eternity.

Black Cats

If you're friends with a black cat, you likely know that that consciously connecting with one can be like gazing beyond the veil of time and separation, and looking straight into the heart of magic. Why? I couldn't say.

It's (quite fittingly) a mystery.

And why do stray black cats like to make their home base the garage of my hometown funeral chapel? Besides the fact that my dad feeds them and takes care of them, that's a mystery too.

Although I'm sure it all has something to do with the fact that cats - particularly black cats - have been traditionally considered "psychopomps," or beings that assist with the transition from this realm to the next by kindly ushering souls into the spiritual realm.

Magic and Witchcraft

Finally, for magical practitioners and non-magical practitioners alike, magic and witchcraft are a favorite theme of the season. Naturally! As we've discussed, the place of power is between the worlds. It's the place where we remember that we can draw upon the unseen world to affect the seen world and vice versa. It's the place where we bravely gaze into the realm of death and transcend our fear so that we can draw upon the infinite power that is our birthright. Here, everything is illuminated with that special light that reminds us that mundane is the illusion and only magic is real.


Last modified on

Additional information