Tarot magick can be as simple as finding an appropriate card and leaving in on your altar. You can also sleep with the card under your pillow, or hold the card to your chakras and breathe in its energy.
Tarot magick works with the idea that each tarot card holds a specific energy. Choose the card that holds the energy that you want in your life, and consciously bring the energy of that card into your life. Tarot is a simple, effective tool for this kind of magickal work.
One of the mysterious creatures that inhabit the dark forests of Arthurian lore is the stag with a crown around its neck.
This bizarre figure has entered heraldry and folklore as well. A stag gorged with a crown (French gorge = “throat”) appears on numerous coats of arms and pub signs.
The meaning is not far to find. The stag is the preeminently crowned animal—“crowned with antler”—and, as such, Lord of the Forest. Still: a crown around the neck? Weird.
Peeking from behind the High Medieval Dudgeon of much Arthurian lore one may sometimes see hints of something older and wilder: retroflections of the early Iron Age, post-Roman Keltic world that gave rise to the later material. And here, I suspect, we may find a key to understanding the stag gorged with a crown.
Come present in this moment. The edge of sacred emergence is right here, right here now. It’s present in anything you do. Find the edge by fully becoming present. Include whatever there is. Feel you are always, always being met. Maybe not by everyone in the way you would wish. But who’s always there, and always meeting , is earth. And space. Will you be the one who disappoints them? Or will you show up fully? If so, from this connection energy will start to shine. It will invite others to become more present too. Start moving from this connection, from this energy. It’s a place where you don’t know if the movement started in you or in the other. That’s emergence happening.
It's that time of the week again: time for Earthy Thursday! For this week we've gathered a wide variety of stories that discuss environmentalism, nature, and wildlife. Read on to learn about prehistoric mammals, puffins' recolonization of the American northeast, and the urbanization of local food. All this and more for the Pagan News Beagle.
Working with the energetic momentum of whatever it's your intention to shift - rather than against it - is almost always ideal. The Cauldron of Lilac Fire visualization is invaluable for doing just that. It naturally balances and powerfully purifies pretty much anything you'd like, including (but not limited to) people, objects, relationships, physical spaces, and situations. And the more you practice, the easier and quicker it becomes.
"Go placidly amidst the noise and haste, and remember what peace there may be in silence." Max Ehrmann
This month’s New Moon features some intense aspects and planetary placements, including a station of Mercury as it prepares to go retrograde. It occurs just a few minutes after midnight on Monday, May 18th (all times EDT, find the chart here) at 27 degrees of Taurus, so anyone with placements in 23-30 degrees of the fixed signs will have some extra energy to play with this month. Opportunities and pitfalls both abound — let’s take a look at how we might chart a course towards the former and avoid the latter.
Huh? The music that is in you — where is it? How do you tap into it?
If you're asking me, belly queen as I am, I'll say we tap into our music — into every expression of our life force — by deepening into our body's center, the sourcepoint of our creative energy. We cultivate our relationship with this soul-power as we honor, rather than shame, our bellies. We activate it with movement and breath.
Sitting comfortably, enter into the Centering Breath. Notice any images and sensations that come into your awareness as you focus your attention within your body’s center.
Consider your arm to be an extension of your belly, a pipeline ready to carry information from your body’s center through to your hand and out onto paper. Maintaining your awareness in your belly, take the colored markers that appeal to you. Let your arm and hand move across the paper, spilling out colors, shapes, and lines.
Give yourself all the permission you need to make your marks freely, without judgment or restriction.
These same guidelines apply when I'm at the piano, improvising — letting music arrive without planning, without thinking. Just as with drawing, my arms serve as pipelines, allowing the flow of energy and information from body's center to keyboard.
The music that emerges in this way is so heart- and soul-satisfying. As one of my mentors, Mark Kelso of Muddy Angel Music, likes to say: The fun isn't so much in playing music; it's in being played by the music.
There's a delicate balance between improvisation and composition. Certainly, each can inspire the other.
By my lights, as improvisation offers sensory experience of the life force concentrated in the body center, it expresses the energy of the Sacred Feminine.
Composition can likewise convey the sense of the Sacred Feminine. In this clip from Ethan Hawke's magnificent film, "Seymour: An Introduction," hear what virtuoso pianist Seymour Bernstein says about Beethoven's expression of — and ambivalent relationship with — the feminine: