Series Title: The Gryphonpike Chronicles...
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Series Title: The Gryphonpike Chronicles...
2017 is going to be the year where hopefully the words “voluntary simplicity” will be embraced by a wider range of people. I know that I have been incorporating voluntary simplicity in my own life for many years now, and that there is still many more ways in which I can follow a simpler, more efficient and ecologically sustainable way of being in the world. To do so, I am constantly informing myself, being conscious and mindful, trying to look at the bigger picture and taking personal responsibility for the world that I am leaving to our ancestors of the future. Now more than ever, we are at the crucial tipping point where we have to look beyond our own self-interest and look to the whole, to be more holistic in everything that we do.
I have incorporated Zen and Buddhism into my life for many years. For me, this brings a wisdom from both Eastern and Western philosophies that can blend together to form a holistic worldview and way of life. I feel that East and West need each other in order to understand the whole. Only when we understand the material as well as the spiritual can we bring them together to live fully in the here and now.
It’s important that simplicity, in terms of reducing consumerism, resources and living a better, cleaner more sustainable life, is voluntarily chosen. When it is not, we come across such suffering as poverty. Many people in the world do not have a choice to reduce, reuse, to choose. Here in the West, many of us can make choices, however small, in our daily lives that strive towards a more sustainable future for everyone. Where we can, we should voluntarily make that choice, in order to preserve a future for humanity. In doing so, we will also achieve a higher quality of life, and be able to truly flourish as a species. We are at that balance point, if we haven’t already gone too far, to either evolve into a higher consciousness and have that reflected in our actions, to come together as we realise that there is more to bind us together than tear us apart, or we can fall into divisiveness, fighting each other over the few differences and destroying not only ourselves, but a large portion of life on this planet in our downfall.
But what is simplicity? It is living in harmony with the world. Druidry is all about relationship, and this is also at the heart of simplicity. It is egalitarian. It sees through the illusions created by modern-day culture and society, the need to consume, the distractions of the media. It is about seeing what is really important in life: your family, your friends, your local environment. It is about living sustainably, so that our children and their children, as well as all the planet’s children, both human and non-human, have a good quality of life. It is about learning what is enough, rather than striving for more.
So: I'd like your opinion on a theological matter of some importance.
I know it sounds like a joke, but it isn't really.
I don't like mead. I've never met a mead I liked.
I'd rather drink bad beer than drink good mead.
I'd rather drink water than drink mead.
Hell: I'd rather drink goat piss than drink mead.
(Insofar there's any appreciable difference between the two, anyway.)
So, can I still be heathen?
Just before the last presidential inauguration, a petition made the rounds requesting that language referring to “God” be dropped from the presidential oath.
Me, I didn't sign it.
I think it's right and good that those entering public office should swear by the gods that they honor. It's a time-honored old pagan tradition.
But to each, his own gods. When the time comes—hasten, O hasten, the day—that it's a pagan taking that presidential oath, I want to hear those pagan gods called to witness.
Then I'll die happy.
Who among your gods witnesses oaths? Who would you swear by, if you were taking the oath of office tomorrow?
Hello all, I wanted to share something really cool from my collection of Vesta artifacts with you. This is called a "magic lantern" glass slide. They were used from the 1800's 'til the early 1900's mostly for educational purposes. This one is of the Temple of Hercules in the Forum Boarium by the Tiber. Because of its circular shape, this temple was for a long time thought to be the Temple of Vesta.
In all likelihood, this temple served a dual purpose - Hercules and Vesta. That's how I deal with this temple in my book Brides of Rome: A Novel of the Vestal Virgins. The Vestal priestesses had a spot near here from where they would gather water from the Tiber to make mola salsa. I believe they would have wanted a functional temple close by, perhaps to bless the water....
The Horned God is hot right now.
So call me a skeptic if you like, but I'm sorry: some things are just a little too convenient. How do you say "Too good to be true" in Witch?
An item that turned up on E-bay some while back was identified by the seller as a 1st century BCE golden La Tène phalera (harness decoration) depicting the god Cernunnos. Unprovenanced, supposedly from a private collection, it was priced at $7400.
Sorry, I'm not convinced. How convenient that a piece of art—previously, so far as I can tell, unknown to any art historian—depicting this god and none other (arguably the most identifiable god in Keltic mythology) should just happen to turn up in a "private collection."
If genuine, it's a pretty significant artifact, of intense interest to scholarship. If not...well.
The supposed phalera depicts the god in bust, with raised arms and branching (and intertwining) antlers. In his hands the god holds two items identified by the seller as torques, but which look more like curvilinear swastikas. If what he's wearing around his neck is supposed to be a torque, it doesn't resemble any other torque that I've ever seen in Keltic art.
And there's something wrong with those antlers, with their wavy tines on both sides of the beam. Image-search "Deer in Keltic art" and see if you can turn up anything like them.
More than anything else, the piece looks like the famous Gundestrup Antlered re-rendered in the form of the god-busts on the same cauldron, made by an artist not quite fluent in Keltic style. It's an interesting coincidence that, of all the "Cernunnoi" known from Keltic antiquity, only this one and the Gundestrup god are unbearded.
Art forgery is a profitable business. Within months of the initial excavations at Knossos, Minoan fakes were readily available on the European art market. Demand was high, and money good.
An altar is a very personal thing and I firmly believe that unless you follow a strict tradition that sets the layout for you that you should ‘go with the flow’ with your altar and put things on it that your intuition guides you to.
An altar doesn’t have to be big and it doesn’t have to be fancy, just a vase of flowers on a window sill is good enough to be a focal point for your altar....