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Posted by on in SageWoman Blogs

The still centre.

Outside, in the dark, the air is finally still.  Like rich swathes of fabric, the darkness hangs around me, enfolding me, wrapping me in its exquisite embrace.  I sit, breathing in the night air, the smell of cedar and dew wet grass filling me with pure awen.  The last of the crickets are singing in the remnant of summer’s growth, owls hooting softly in the distance and underneath the beech tree near Caia’s grave I let the songs of the night wash over me in waves of indigo and black.

The quiet is shattered by the call of a stag just on the other side of the hedge. Calling to the does, he is in full rut, looking for the ladies in the shelter of the night.  He is maybe four feet away, and his bark and rumbles excite me with the power that he is emanating in following his soul’s truth.  I can hear the slight shuffle of leaves and grass beneath his hooves as he paces up the track and then back down towards the nature reserve and farmer’s fields.

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b2ap3_thumbnail_Death.pngAll our times have come
Here but now they're gone
Seasons don't fear the reaper
Nor do the wind, the sun or the rain...we can be like they are

Donald Roeser “(Don’t Fear) the Reaper”

The New Moon of October is an eclipse, which means its effects will reverberate for much longer than the standard New Moon — this chart overlooks the next six months to a year. It’s a demanding chart, but with some hope, some ease, and a challenge to take our spiritual awareness up a notch or two. The emphasis is on the sign of Scorpio, so we are looking at a lot of intensity of feeling, intensity of connection with others, confronting taboos, and a need to deeply understand and accept the realities of death and cyclical change. Venus is in a huddle with the Moon and Sun, putting an emphasis on personal relationships. When the chart is cast for Washington, DC, (find the chart here) it is predictive for the entire United States, and these three planets, along with Saturn, fall in the seventh house. This suggests to me that we will probably be seeing a whole lot of “othering” going on, quite a bit of active conflict — and hopefully some cooperation — in the public sphere, and the creation and/or dissolution of some powerful alliances.

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Posted by on in Culture Blogs
Ancestor Offering #13daysofmagic #day3

#13daysofmagic has been a lot of fun! Tuesdays I usually make offering to spirits and my picture is of an ancestor offering I did earlier today.

Yesterday furnished some pretty amazing spells for the challenge, here are jus a few!

b2ap3_thumbnail_1607067_10204188644030390_2313873531617392638_n.jpg

"Ancestor offering" by Chas Bogan from Carnivalia.com

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Posted by on in SageWoman Blogs
Six Family Activities for Samhain

Samhain is a big deal in our house.  Our family plans its costumes (and cosplay) sometimes years in advance.  We participate in a lot of the rituals common in the U.S. for Halloween, and we blend them with the traditional rites of Samhain.  Whether you celebrate this holiday on October 31st (fixed date), November 6th (the cross-quarter date), or somewhere in between, there are a number of ways to get your children, both wee and tall to participate.

Visit a Farm

Since many of us have no gardens or only small ones, it is important to help our children connect our food during this time of harvest with the land from which it comes.  Several farms hold special events and provide goods to families during this time of year (and some hold nearly year-round activities).  From pumpkin patches to corn mazes to herbal labyrinths, it's possible to let your children see food at the end of the growing year.  Sunflowers are drooping and have lost their petals, the largest corn has been picked, and all manner of squash have fattened and are ready for eating or carving.

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Entering the Cave of Bones: A Preview of "Doorways to the Underworld"

Through Doorways to the Underworld, the Minneapolis Collective of Pagan Artists' Samhain 2014 exhibit, we enter into the disquieting—sometimes disturbing—dreamscape that is both Samhain and the world of contemporary pagan art.

In Anne Marie Forrester's Bear Priestess, the viewer stands at the mouth of a cave literally packed with skulls and leg-bones. Between us and the cave sits the bear priestess herself, all breasts, belly, and thighs, dressed only in the head and skin of (apparently) a bear cub. She wields that classic shamanic tool, the frame drum, in her role of go-between for living and dead, past and present.

The painting disturbs on a number of levels. Content is one: corpulence, nudity, powerful female eroticism. Another is scale. The priestess' head is too small for her mountainous body, the bear's head that she wears too small for her own too-small head. One cannot help but be reminded of Paleolithic “Venus” figurines, whose heads and feet dwindle into unimportance compared with their massive bodies, the true center of their power. Small as it is, though, the priestess' head is still much larger than the skulls that frame her in the cave mouth. The viewer experiences a dizzying loss of sense of proportion.

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PaganNewsBeagle Fiery Tuesday Oct 27

Want to get fired up? In today's fiery Tuesday, the Pagan News Beagle we cover lots designed to get you active! The Atlantic compares Ebola to witches; Halloween under attack; Voodou amusement park ride; Max Dashu disputes history of the Burning Times; the occult made rock-n-roll.

This one made your (normally friendly) PaganNewsBeagle spitting mad: the Atlantic decided recently to "cool down" Ebola-fever by comparing the deadly disease — to witchcraft. This was the best that you could do, Atlantic editors? For shame.

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Posted by on in Paths Blogs

This essay was originally published at Neo-Paganism.com.

edw-hellas-29The Collective Unconscious

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