It's been a little while since the last constellation post, so here we are again. This time, I'm tackling a little one, Corvus, the Latin word for 'raven' or 'crow'. It comes from the Hellenic 'korax'. It's one of three constellations linked to a myth I will only partly reveal today, as it makes much more sense to place it with the constellation Crater, which will be the next one I tackle.
Hellenismos, otherwise known as Greek Reconstructionist Paganism, is the traditional, polytheistic religion of ancient Greece, reconstructed in and adapted to the modern world. It's a vibrant religion which can draw on a surprising amount of ancient sources. Baring the Aegis blogger Elani Temperance blogs about her experiences within this Tradition.
When I was younger, I used to be a regular at the local hospital. Nothing too serious, mostly check-ups, but I still owe a lot to a few doctors in my life. I've been fortunate that the operations I needed in my life all went well, and I attribute that mostly to the physicians who performed them. Today, at dusk, the festival day of the Asklepieia starts. The Asklepieia (Ἀσκληπίεια) was held on the eighth day of Elaphebolion, in honor of Asklēpiós, who was honored monthly on the eighth. The Asklepieia is linked to the Epidausia, celebrated six months later, as both were special days where those in the medical profession--as well as those seeking medical counsel--made sacrifices to Asklēpiós.
Because it's been a while since the last constellation, I'm going to give you not one but two constellations today (also because it's much easier to describe both in one post, seeing as the mythology surrounding these two has mixed throughout the years, so I'm really just making it easier on myself).
Ever so often, I get the feeling I really need to write about something specific; references to the topic pop up everywhere, I get asked questions about it, and the desire to write about anything else drops to an all-time low. So here we go: today's blog post is about Hestia and Dionysos, and who has the throne up on snowy Olympos.
The ancient Hellenes were very keen people, interested in all things nature, science and philosophy. They searched for answers to questions about their life, as well as the Theoi, and they theorized structurally about any discoveries they made, be it in health care, science or paleontology. Especially in the latter department, there are a few discoveries that might have shaped a large part of ancient Hellenic mythology and religion in general. Today, we'll be discussing some of those.
Nichoria (Νιχώρια) is a site in Messenia, a regional unit in the southwestern part of the Peloponnese, Greece, on a ridgetop near modern Rizomylos, at the northwestern corner of the Messenian Gulf. It was the home of an Acropolis where many--what we now call--fossils were stored. The Nichoria bone was discovered by the ancient Hellenes roughly around 1000 BC. It is the blackened and petrified thigh bone of an extinct mega mammal--likely a woolly rhinoceros, or a mammoth--that roamed southern Hellas around one million years ago. The rusty-black color of the fossil bone indicates that it was most likely collected from the lignite deposits near the ancient town of Megalopolis, some 55 kilometers (35 miles) away from Nichoria. The Megalopolis basin was known in antiquity as the 'battleground of the Giants', where the Titanomachy was believed to have taken place. The dense concentration of large fossil bones found at the basin inspired the belief that entire armies of giants were blasted by Zeus' thunderbolts, and the Nichoria bone--the distal end of a right femur, 15 cm (5-6 inches) wide, about twice the size of a regular human thigh bone--was most likely believed to have belonged to one of these giants. If the myth or the bone came first is unknown.
A very good friend of mine lost someone tonight, and came to me for spiritual advice on how to deal with this grief. He is not Hellenistic, but values the lessons of Hellenismos on life and religion, and as such, he wanted to hear about funerary traditions within Hellenismos, and ancient Hellenic practice. What came out what a bit of a rambled Facebook message that was vague enough for interpretation but was anywhere from complete. As such, I write this today--in a hurry before an appointment--with love and sorrow in my heart, for a friend who suffers, and a young girl who lost her life.
The ancient Hellenes believed that the moment a person died, their psyche--spirit--left the body in a puff or like a breath of wind. Proper burial was incredibly important to the ancient Hellenes, and to not give a loved one a fully ritualized funeral was unthinkable. It was, however, used as punishment of dead enemies, but only rarely. Funerary rites were performed solely to get the deceased into the afterlife, and everyone who passed away was prepared for burial according to time-honored rituals.
A burial or cremation had four parts: preparing the body, the prothesis (Προθησις, 'display of the body'), the ekphorá (ἐκφορά 'funeral procession'), and the interment of the body or cremated remains of the deceased. Preparation of the body was always done by women, and was usually done by a woman over sixty, or a close relative who was related no further away from the deceased than the degree of second cousin. These were also the only people in the ekphorá. The deceased was stripped, washed, anointed with oil, and then dressed in his or her finest clothes. They also received jewelry and other fineries. A coin could be presented to the dead, and laid under or below the tongue, or even on the eyes, as payment to Kharon.
At dusk today, one of Hellenismos' most important festivals (if one can give classifications to the festivals at all) starts. It's the Anthesteria, and held in honor of Dionysos Limnaios, wine, and the dead. The Anthesteria was held annually for three days, the eleventh to thirteenth of the month of Anthesterion. It is an ancestral festival, the oldest of the festivals for Dionysos in Athens, a time of reflection and trust in the new growing season to come, a time to celebrate with the spirits of the departed the indefatigable resurgence of life. The festival centered around the celebration of the maturing of the wine stored at the previous vintage, whose pithoi were now ceremoniously opened, and the beginning of spring. The three days of the feast were called Pithoigia (after πίθοι 'storage jars'), Khoes (χοαί 'libations') and Khytroi (χύτροι 'pots').
Yesterday, I got a wonderful e-mail from a reader of Baring the Aegis, who came here through the Pagan Blog Project. Many who participate in the project are some form of Wiccan or witch--the writer herself included. The writer told me about reading this blog with only a Wiccan mindset to rely upon, and asked me the following question:
Because I write with Hellenists in mind, I realize I don't often make comparissons between Hellenismos and other religions or Traditions. Her questions are therefor absolutely logical. For those of you who also came here from a non-Hellenistic, or non-Recon path, I wanted to share my answer to her with you, just to see if I can clear up some confusion.
Coming of age ceremonies are prevalent in most cultures and are often linked to the religious views of the people performing it. Famous examples are the bar mitswa's and bat mitswa's of the Jewish. The ancient Hellens had coming of age rituals as well, and like almost everything else in ancient Hellenic life, these rituals were tied into deity worship. Today, I'm going to talk about these coming of age ceremonies, but because the differences are so great between girls and boys, I'm going to describe their coming of age ceremonies separately.
When a whole family gets uplifted into the sky, the breakdown of their constellations gets a little repetitive over time, sorry about that. When we last saw the Aethiopia ruling family, we discussed the constellations Androméda and Cassiopeia. Today, we close the trilogy with Capheus, father of Andromeda, and husband to Cassiopeia, and add a good bit of info to the myth.
I have noticed that Hellenismos has its own, very specific, cleaning problems. As you have seen, my altar stands on carpet, and the longer I practice, the more wine stains appear on it. The bowl I use to give burnt offerings is stained with soot, and I'm sure that if it stood near a wall, that would be blackened as well. On top of that, the copper bowl I use to keep my daily khernips in, stains due to the water, and the salt in it. On days of purification as well as on the Deipnon, I spent some time cleaning these items. Today, I wanted to share with you some natural ways to clean these tools. Note that there are chemical cleaning tools available for all these stains--so if you're desperate to have a stain removed, that is always a possibility--but I prefer the natural way.
I'm doing a combination post today: I'm combining a Pagan Blog Post, and a constellation series post. As such, I'll be talking about the mythical creatures as well as the constellation named after a few very famous examples of the species. Centaurs (kéntauros, kένταυρος) are depicted as half man, half horse; having the torso of a man extending where the neck of a horse should be. They were said to be wild, savage, and lustful, and in very old Hellenic artwork, they were often depicted as fully human, with a horse's end added to them. This shape for Centaurs remained in art for civilized Centaurs like Kheiron and Pholus.
Today, I'm kicking off a new series, based on ancient Hellenic mythology. Like with the constellation series, in this series, I will take an often well-known piece of knowledge or myth, and will attempt to provide a more well-rounded view, or provide you with information you might not have about it. This series, in particular, focusses on the connection between certain Theoi and the various flowers, plants and trees we associate with Them through mythology.
I'm starting this series off with a flower, associated with a very tragic love story: the hyacinth. From Wikipedia: "Hyacinthus is a small genus of bulbous flowering plants in the family Asparagaceae, subfamily Scilloideae. Plants are commonly called hyacinths. The genus was formerly the type genus of the separate family Hyacinthaceae; prior to that it was placed in the lily family Liliaceae. Hyacinthus is native to the eastern Mediterranean (from south Turkey to northern Israel), north-east Iran, and Turkmenistan."
Within Hellenic mythology, we find Hyakinthos (Ὑάκινθος), a divine hero with a cult in Amykles (Αμύκλες), a village located southwest of Sparta.
Every year on the fourteenth day of Skirophorion, from the time of Erechtheus (1397 - 1347 BC) to--at least--the second century AD, this odd ritual was reenacted. It was called the 'Bouphónia' (βουφόνια), and was part of another festival; the 'Dipolieia' (τὰ Διπολίεια), a feast in honor of Zeus Polieus (Zeus of the City).
When I was a little girl, my favorite book was the Dutch translation of Michaels Ende's (originally German) 'Momo and The Grey Gentlemen'. Together with the main character from comic series 'Yoko Tsuno', my ethical system and basic personality got its foundation from Ende's main character Momo. If you haven't read this book--it's from the writer of 'The Neverending Story', if that helps--please pick up a copy. It was written in 1974, and describes well... exactly our current society. That's not what I wanted to talk about, however. I wanted to talk about the Constellation Cassiopeia.
An altar is one of those basic necessities within Hellenismos, and it differs from a shrine. Where an altar is a 'work space', dedicated not so much to a specific deity, but used to do the bulk of the (daily) rituals, a shrine is a devotional area where an altar might be located. In ancient Hellas, the shrine was usually a temple, the altar an actual altar, standing outside of it. Household worship took place at a multitude of shrines.
Labeling something a shrine, does not mean you can't sacrifice at these spots in your home; every Hene Kai Nea and Noumenia, I offer libations of mixed wine and incense at my shrine to Apollon, Hermes and Hekate, every Noumenia, I offer mixed wine and incense to Zeus Kthesios at His shrine in my kitchen, and ever Agathós Daímōn, I make a libation of unmixed wine at His shrine. As explained previously, I don't have an outdoor altar; I have one indoors, and it also houses my continual flame to Hestia. It's at this shrine I do the bulk of my worship--it's my hearth. It has my offering bowl, and is very deity-neutral, just to make sure everyone I give sacrifice to might feel at home at it. It's located in my bedroom shrine--the actual space, decorated and kept clean for the Theoi.
My altar is not the altar the ancient Hellens would have used. For one, it's not outside--something I'm grateful for as it's snowing outside at the moment--and for another, it's not made of stone. I don't make a fire on top of it--a good thing, seeing as it's made of wood--but have to use a bowl to do so. In ancient Hellas, an altar was called a 'bômos' (βωμός)--properly signifying any elevation--with an 'epipuron' (ἐπίπυρον)--a movable pan or brazier--used on top of the bômos so it could serve as an altar for burnt-offerings. The household hearth was used to make sacrifices as well, and thus served as an altar of sorts. It was named after the Theia of the home and hearth: 'hestía' (ἑστία). Some state-owned altars--especially when they were simply large fires--were named 'hestía' as well.
2412 years ago, one of Hellas' greatest thinkers stood trial before a jury of 500 men, chosen by lot. Socrates (Σωκράτης), a philosopher who was of the opinion that people should not be self-governing; they needed to be led, like a shepherd led a flock of sheep. He was of the opinion that the average Athenian had the basic virtue necessary to nurture a good society, nor the intelligence to foster such virtue within themselves. As such, he was against the democratic system that came to fruition in the city of Athens at the same time he did.
His views came from an oracular message from Delphi. In the words of Diogenēs Laertios (Διογένης Λαέρτιος), a biographer of the Hellenic philosophers:
On the second day of the new Hellenistic month, we give sacrifice to (the) Agathós Daímōn, on a day named after the 'Good Spirit'. It's an important practice, and I have come to realize I don't know enough about Agathós Daímōn to do His worship justice. This is why this Pagan Blog Project post delves into His worship.
The mythology, application and existence of the Agathós Daímōn (ἀγαθός δαίμων) is a bit of a muddled mess. When one researches the term, six basic premises emerge:
- The Agathós Daímōn is a Theos, married to the Theia Agathe Tyche (Ἀγαθή Τύχη, 'Good Fortune')
- The Agathós Daímōn is an epithet of Zeus, or linked to Zeus Kthesios and/or Zeus Melichios
- The Agathós Daímōn is linked Hermes Chthonius
- The Agathós Daímōn is a fertility daimon, tied to the harvest and prosperity from agriculture
- The Agathós Daímōn is a personal guardian spirit, either tied to the person, the family, or the oikos
- The Agathós Daímōn is the personification of a person's conscious, or even their muse
It's due time for another astronomy post, wouldn't you say? Today, I'm picking up the fourth of the constellations in the zodiac: Capricornus. Capricornus is often referred to as 'Capricorn', the latin word for 'horned goat' or 'goat horn', and in ancient Hellas--and even in most modern interpretations--the hybrid is not between human and goat, as one might expect from a culture with satyrs in its mythology, but goat and fish.