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Studies Blogs

Advanced and/or academic Pagan subjects such as history, ethics, sociology, etc.

Posted by on in Studies Blogs
The Grain of My Life

Lughnassadh is to me a celebration of legacy. The grain falls and we remember what is important; life, love, survival, and memory. The grain is the blessing of the gods to their people, a chance for the future. On this day, I look at my impact and my legacy. What is the grain of my life? Will my actions sustain my generation and future generations to come?

Although many celebrate the First Harvest as the darkening time of looking back and giving thanks, I like to keep the focus on the work that must still be done. Gratitude is something I weave into my daily practice every day of the year so what is seen as "harvest" is more about looking forward than back, in my work. In western Europe, this is quite a busy time for farmers rushing to get as much done as possible to stretch the crop as long as possible. It is a mad dash to create a legacy of abundance that will last through the truly dark winter months. Nothing "stops."

As a Pagan and spiritual activist, it's important to me that I make an impact with the precious time I have while blessed with this physical body. Lughnassadh reminds me of this. Time is slipping away, but there is still enough to do something, to change something. The average age of death for the majority of men in the United States is currently 75 years old. I just turned 26 which means that if I am to be a statistic, I would be past one-third of my life already! I believe that the work I do right now matters just as much as the work I will do when I am 50 years old or 74 and a half years old. And who knows, I could walk out my door for lunch and get hit by a bus. A witch bows to no one, including time itself. But with that power comes the responsibility of knowing that the time we do have echoes forever onward.

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  • Chas  S. Clifton
    Chas S. Clifton says #
    Agreed! Without (preferably torchlit) processions, you don't have a real religion.

Posted by on in Studies Blogs

When I started to wander out into the brick-and-mortar Pagan community, I noticed that there were a lot of people who believed in Norse mythology and Pantheon. Some Asatru, some called themselves Heathen, some Northern Tradition, etc.    And when I'd talk about how I wanted to find out more about how Pagans relate to music, especially if any relate to Classical music, I found that some Norsefolk liked metal and Beethoven, and others liked Richard Wagner.  Richard Wagner, for those who don't know, is hailed as having "revolutionized" music during the middle of the 19th century, and he did this via writing operas about Scandinavian 'sagas' and the 'Nibelungenlied.' I wouldn't be surprised if Wagner was the origination for a connection between Norse/Scandinavian spirituality and anti-Semitism.

I am against the man and his works.  Alright, maybe not.  Maybe I am confused and heartbroken that someone who could write such beautiful and moving music, on such a thoroughly Pagan basis, was a megalomaniac, an abuser, and a bloodthirsty anti-Semite.

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  • Joseph Bloch
    Joseph Bloch says #
    I happened to come across the following article today, and thought of your post:
  • Robert Brown
    Robert Brown says #
    This is an individual question, and an important one. Have you seensome of Hitler's art? He was an awful, terrible guy. Some of

Posted by on in Studies Blogs
How to experiment with magic

I've experimented with magic from almost the beginning of my magical practice. When I've tried techniques that other people have developed, I've always had one question in the back of my mind: How can I improve on this technique? Even with my own techniques, I am always interested in experimenting with them and improving on how the process of magic works. I thought it might be interesting to share on here how I experiment with magic and how you can, in turn, also experiment with magic.

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One of the images I've been working with in the Temple of Witchcraft, though have only recently been teaching as a cohesive element, is the eight faces of the God through the Wheel of the Year. Some of it was underlying my personal shamanic practices during the course of the year, and expanded with a deepening relationship with the Green Man through my plant spirit work. I originally worked in a framework of a two-fold God and a triple Goddess. The Goddess was the familiar maiden, mother, crone who went on to take aspects of the heavens, earth and underworld, and the triple fates. The God was a Neopagan Janus – with one face of life and light heading towards the future, and one of death and darkness facing the past. He is the guardian of the threshold. On the side of the light were the aspects of the Child of Light at Yule, the Green Man of the Spring, and the Corn King of Summer. On the side of the dark were the faces of the Horned God who is both the hunter and the hunted, Lord of the Underworld and subterranean riches and the Trickster. They were my Oak King and Holly King, though they rarely manifested in those symbols, each ruling half of the year in a variety of guises.

The Horned God was incredibly distinct when present in magick, though fluid over the years. Horns of the stag were most common, but the goat, the bull and the ram appeared. One God? Many Gods? Same God? Different Gods? I'm not wise enough to answer with certainty. I work with who shows up.

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