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The Maiden/Mother/Crone configuration of goddesses is popular in modern Paganism. It resonates with a lot of us, but there's no evidence the Minoans viewed their goddesses this way. In fact, the Maiden/Mother/Crone triplicity was invented by Robert Graves in the mid-20th century. Yes, it works, but it's not historically accurate so we shouldn't apply it to the Minoans. If you're interested in Graves' process and teasing out which of his ideas are historic and which are purely poetic, I recommend Mark Carter's excellent book Stalking the Goddess.

But back to the Minoans.

Like every culture, the Minoans had their music. We can see that in their art and artifacts. The image at the top of this post is of a group of terracotta figurines from Palaikastro. There are three women holding hands and dancing in a semicircle around a fourth woman who is playing the lyre. We don't know what the occasion was here: a celebration? A ritual? One of the famous harvest dances on a circular threshing floor? (There was a circular piece found with these figurines that might have been a model threshing floor.)

It could even have been a funeral; there's a lyre-player on the "death" side of the Hagia Triada sarcophagus.

When I first discovered the Pagan community, I never dreamed I'd end up as the facilitator for a new spiritual path, but here we are. Modern Minoan Paganism is a thing and a lot of us are doing it. So what, exactly, are we doing?

Like many Pagan traditions, there are no rules about what you must believe. Some of us are hard polytheists; some of us approach the Minoan deities from a psychological or symbolic perspective. All that really matters is that the connection works, however you make it. The central focus is the Minoan pantheon, the gods and goddesses of ancient Crete who are still very much alive today.

When I tell people that part of my spiritual practice involves ecstatic body postures, most of them look at me like I've grown a second head. The practice of assuming a specific pose and holding it while going into shamanic trance goes back millennia in many different cultures around the world, but it's a practice that isn't very well known in modern times. I'd like to change that.

Ecstasy isn't a word we hear very often in terms of Pagan spirituality, but I think humans are hard-wired for it. In fact, I think the modern world is ecstasy deprived and many of us are looking for that kind of experience, the numinous alive within and around us. We can use the simple, ancient technique of certain body postures to induce ecstatic states that enhance our spiritual experience and bring us closer to the divine.

It occurs to me that in the nearly four years that I've been writing this blog (!) I've created quite a collection of posts about the individual Minoan deities, the gods and goddesses that make up this fascinating pantheon. So you don't have to go scrambling back through the archives to find them all, I've collected them up here. I did recently post a "whole pantheon" list here that's pretty comprehensive - all the deities we work with in Modern Minoan Paganism. But you might want to know a little more detail about individual gods and goddesses. So here you go:

The Minoan Earth Mother Goddess Rhea whom some of us also call Ida

One of the subjects I'm asked about most often is what daily life was like in ancient Crete. I've written about Minoan food and cooking here and here. And I posted about Minoan cosmetics here, including do-it-yourself recipes. But one thing I haven't really talked about much is the clothes the Minoans wore.

I did write up some information about why women in Minoan art are shown with bare breasts - that one turns out to be my most popular post ever, probably thanks to the word "topless" in the title. But there's more to Minoan clothing than open-front tops, like the ones shown in the fresco at the top of this post (the Ladies in Blue fresco from Knossos). In fact, the Minoans were surprisingly fashion-conscious.

When we learn history in school, we're given pictures of maps with clear lines drawn to separate the different empires, cultures, and nations. We're taught that one set of people lived within this little box on the map and another set of people lived within the next box over. But history isn't that neat and tidy.

Take the Minoans, for instance. Their culture centered on the island of Crete, just south of Greece, during the Bronze Age. They were a pre-Indo-European people (they weren't Greek) who became quite wealthy by importing raw materials and exporting fancy finished goods like bronze blades and dyed woolen cloth. But in order to do all that trading, they had to move around.