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One of the dangers of having an ancient civilization as the focus of our spirituality is the tendency to view that culture through rose-colored glasses. That’s especially tempting when it comes to ancient Crete and the Minoan civilization that flourished there in the third and second millennium BCE.

There are so many positive aspects of Minoan culture: Women had high status and the Goddess was revered. Minoan cities and towns had paved streets, enclosed sewers, and flush toilets. The Minoans appear not to have had any sort of military, choosing instead to invest all their energy and wealth into what was probably the largest merchant fleet in the Mediterranean at the time, so their society was prosperous and relatively peaceful.

It's time for the grape harvest! In Modern Minoan Paganism, the last day of August is the Feast of Grapes, the celebration of the gathering of the grapes but also the death of the vine-god Dionysus, who sacrifices himself for us in a way similar to the grain-gods of northern Europe.

Like the northern European harvest festivals of Lammas and Autumn Equinox, the Feast of Grapes is set on a particular calendar date for the convenience of modern Pagans. In ancient Crete, the harvest happened when the grapes were just the right ripeness for picking. Depending on the weather and other influences, the date might have varied by as much as a week or two from year to year. If I were celebrating based on my own grapevine, I would have done it two weeks ago, when we picked the deliciously ripe muscadines and savored them in our own casual ceremony that included a bottle of muscadine wine from a previous year's brewing.

I’ve been asked all sorts of questions about Modern Minoan Paganism, but the most common one is probably also the most fundamental: How do you do it? In other words, how do you actually practice this spiritual path?

To start with, I’d like to point out that this is a very individualistic path. It’s not a monolithic tradition with a set of rules and regulations everyone has to follow. It’s more like an umbrella structure under which each person can tweak the details in the way that they find most satisfying. So you start with the basics: the gods and goddesses of ancient Crete and their stories. Then you approach them in the way that makes the most sense for you.

There are two things we can be pretty sure the Minoans did: libations and divination. We have lots of pictures of libations (poured offerings of liquids) in the frescoes, seals, and other art from ancient Crete. As for divination, besides the fact that pretty much every civilization has done its best to foresee the future, there are some interesting “floating organs” (hearts, livers, bones) on some of the seals that suggest the Minoans took part in the same kind of animal-part auguries that many ancient cultures used.

I’m not here to tell you how to check your horoscope in animal guts. Instead, I’d like to talk about wine.

A couple of weeks ago I started exploring some of the ritual postures we find in Minoan art, mostly in the form of bronze and terracotta figurines. I began with the famous Minoan Salute and then had a look at the posture I call Shading the Eyes (and no, that’s not an ancient Minoan Weeping Angel, I promise! LOL).

This week I’ve done some experimentation with a posture that’s most common in Cycladic art, one that appears to link the user to the Realm of the Dead. You can see an example of it in the photo at the top of this post. These figurines, usually made of marble, show a person (most often a woman) with their arms across their abdomen, the left arm above the right.

Last week I began exploring Minoan ecstatic postures, starting with the most famous and familiar one: the Minoan salute. Many modern Pagan traditions use specific poses and gestures in ritual in much the same way that some varieties of Christianity use the gesture of making the cross. These are meant to symbolize parts of the spiritual belief system and to remind us of those during the rite. Ecstatic postures look very much like ritual gestures - in fact, they can be used as ritual gestures - but ultimately they have a different purpose.

A ritual gesture is a pose or motion you make briefly during a religious ceremony. If you hold it for a few seconds or maybe a minute, it might give you a particular feeling or sense of something sacred. An ecstatic posture is a pose you hold for an extended period of time while undergoing ecstatic (shamanic) trance. If that sounds really deep and freaky, it's not. Most people can enter a light trance state simply by focusing on their breathing for a minute or two. A little drumming in the background helps to deepen the state. You don't have to take drugs or go through extended initiations in order to use these postures to expand your spiritual experience. If you've ever done a guided meditation, you've been in trance.

One aspect of ancient religious practice that’s not terribly familiar to modern Pagans is ecstatic postures. No, I'm not talking about what you do at the local nightclub when your favorite music is playing! But ecstatic postures are kinda-sorta related to that kind of experience. These are poses or positions of the body and arms that are designed to produce specific experiences during shamanic trance work. At least a dozen different Minoan ecstatic postures appear in the form of little bronze and terracotta figurines from ancient Crete. Many of these were votive offerings at peak sanctuaries and cave shrines, but some have been found in the temple complexes as well. 

A while back I reviewed Belinda Goodman’s excellent book Ecstatic Body Postures which includes a couple of poses that are found in ancient Crete. Reading that book was the inspiration for the shamanic work I’ve done since then that centers around the Minoan postures. Over the next few weeks, I’ll share with you my experiences using these poses. I encourage you to try them out on your own and let me know what you experience.