A few weeks ago, as part of my summer solstice celebrations I was fortunate enough to be part of a private midsummer ceremony at Stonehenge. We slept a few hours on the drove-way, a small track that passes within a few hundred yards of the stones, and at a sleepy 3.00am took a slow walk across the sacred landscape to join a pilgrimage procession to the stones from the visitor’s centre, as the stars were still bright overhead, and all but us and the owls were lost to dreaming. Stonehenge is not just the stones you see, there is a whole ritual landscape around it stretching for quite a distance with barrow mounds and the mysterious cursus- a rectangular earthwork enclosure 1 and ¾ of a mile long. Predating the stones by 500 years it’s aligned to the equinox sunrises. There is also the likely procession route of the avenue between Stonehenge and the river Avon, surfacing on land again to ‘woodhenge’- Durrington walls henge and settlement just a couple of miles away. Everywhere you go all around the area you step on sacred ground.
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January, if we are lucky and our daily lives allow, can be a time of contemplation, of looking back over the past year, of quietly getting our lives in order, whilst also looking ahead to the summer to come. While the earth seems to sleep, with long nights and cold days, the first new shoots make it above ground and buds on the trees remind us that spring isn't far...but the time of quiet is still here for a while at least. I always find a struggle against natures rhythms is never very productive, and it's better to do what must be done in the modern world and retire to the fireside or get out under wide winter skies as much as possible. January to me is a liminal time, a threshold point and should be honoured as such- neither here nor there, neither the renewal and festivity of winter solstice nor the bright candlelight of Imbolc...it's that in between time when magic can really happen, when things can really change if we catch the moment and steer ourselves a little differently, or weave a new thread into our webs of wyrd.
I love this point between the winter solstice and new year, a time of no time, when all activity is disrupted and the normal routines of our lives either slow down or cease entirely in the face of a huge cultural and seasonal wave. Nature tells us this is a time of stillness and retreat, although sadly the modern world seldom allows complete hibernation its onward rush never the less falters for a time over the holidays. The weather too has no interest in our daily schedules and need to progress, and will disrupt the race at will. This is a season when everyone learns, even just a little, that none of us are bigger than nature. That her cycles are applied to all of us regardless of our own ideas.
October, where my husband and I participated in our whole town of Glastonbury ( UK) honouring our local hunter god, Gwyn Ap Nudd who leads the Wild Hunt- a team of spirits and spectral hounds that chase or guide the dead to the underworld. My husband the artist Dan Goodfellow embodied the role of Gwyn that day in a public ceremony probably not seen here in any form for over a thousand years. The power of all that ancestral presence was immense, the dead crowded into our circle along with the residents of our town. It was very moving, but it was not an easy ceremony to be part of- a dreadful sense of hope in the air, at deaths doorway, that while the end is inevitable, it will, after that dark journey, guide us all to the light one again. 
Lughnasadh, the first of the harvest festivals is traditionally held on the 1st of August. Lughnasadh/ Lúnasa, now the modern Irish name for the month of August means 'the commemoration of Lugh'. Lugh, or Lugus, is a god of law and skill, who in the Irish tales gained the knowledge of agriculture from the tyrant Bres. Lugh is commonly associated with the sun and Lugh is often thought to mean 'bright' in Proto-Indo-European, although it may also be related to 'leug' meaning 'to swear an oath' and even 'leug' meaning black. There are none the less other pointers to his solar nature, at least in Britain and Ireland, such as in his Welsh version Lleu Llaw Gyffes, meaning 'bright one with the strong hand' and the fact that his most famous possession in the Irish lore is a fiery solar spear. That said, connections may also be made between Lugh and the often forgotten Irish god Crom Cruach / Crom Dubh, whose name 'crooked head ' or 'dark crooked one' is also connected to the bowing grain and is remembered at this time on Crom Dubh Sunday, the first Sunday in August. Lugh has traces across Britain and Europe, with several inscriptions to him found in the Iberian peninsula. Depictions of him in Europe are often tripartite, or triple headed, suggesting a triple nature, so this is a god that is hard to get to grips with if we take the original evidence into account, and it may be that this dichotomy between the light and the dark is part of his nature.
