Have you ever felt like you're missing out on most of the magick? As if everyone else seems to have magick in their lives all the time and seems so happy about, but you aren't sure how you achieve that while remaining true to your authentic self? I've been there! I know what you mean, although I believe that what you're specifically looking for is unique to each person, I can say with certainty that there is at least a basic formula to get on the right path.
PaganSquare is a community blog space where Pagans can discuss topics relevant to the life and spiritual practice of all Pagans.
A couple of weeks ago—which partially explains my absence from this hallowed place—Mother Grove Goddess Temple ordained a group of women as temple clergy. The women—and in this case they were all women—were already priestesses but they went through a long process of study and practicum to make them clergy. They can perform all the rites of passage (including the legal one of marriage), can teach and speak on behalf of the Temple and its programs and philosophy.
It was a powerful ritual at a local herb school, because the Temple is small. There were candles and simple black robes. There were special guests and people making speeches. There was a choir and a reception. There was an audible gasp in the congregation when the women’s stoles were placed on their shoulders and they turned to face out. At that point, they were introduced one-by-one as “Reverend.”...
Of all the differences between Recon paths and other (Neo-)Pagan paths, I think the notion of hubris is the most controversial. Sure, everyone who works with Them, respects the Gods but there is a big difference in the respect--and fear--level between Recons and non-Recons.
I'm not exactly sure how this is for other Recon paths but for Hellenismos, avoiding hubris is the foundation of faith. Hubris, in dictionary terms, means excessive pride or arrogance and comes from the Greek (hýbris, ὕβρις). For me, hubris is not an adjective but a verb. It describes the act of willful or ignorant refusal to comply by the will of the Gods.
Within Hellenismos, the Gods rule supreme. We are here to serve and honor Them, and in return, They provide us with what we need to survive. This practice of kharis is one of the pillars of Hellenismos. But it's there in all other pillars as well.
We have already established that certain doom is sent by the Gods and should be suffered through. But there is another kind of doom, sent not by the Gods, but by fellow men. And against this, one is absolutely encouraged to fight.
I've experimented with magic since I first started practicing when I was sixteen. I'd buy books at the local occult shop, voraciously read them and try the exercises out. Afterwards, I'd think about how I could improve the exercises or change them or experiment with them. I was never satisfied with other people's explanations of how magic worked. I'm still not satisfied with most of the explanations about how magic works, and that includes some of my explanations. That dissatisfaction, as well as an insatiable curiosity drives my desire to experiment with magic.
Magic is perceived by some as a spiritual force that complements their religious practices, and by others it is perceived as a practical methodology used to achieve measurable results that improve the lives of the practitioners. Still others think of it as a spiritual practice that allows them to commune with the world and the divine. Beyond all of that though it is a discipline, a field of study that many people contribute to on a regular basis. The challenge with any discipline is figuring out how you keep it relevant to the times and to the needs of the people....
During the writing of yesterday's post on Reconstruction, an example of my changed mindset came to mind which I couldn't find a place for in that post. I told you all before about my path. Most of my religious life was spent as a Neo-Pagan or some form of Eclectic Witch. I enjoyed it a lot and some practices were so engrained into my life, I only realized I had them when I transitioned to Hellenismos. One of these practices was to buy (almost) only second-hand religious items for my practice.
The thought process behind it was that, everything I stumbled upon, be it boxes, chalices or books, was provided to me by the Gods. The only things that were exempt were my Athame, candles and incense. Especially in the case of books, I felt that the books I found in thrift or second-hand stores were the books I was supposed to find at that time in my life and religious practice. I took them as signs. In true Neo-Pagan manner, I also didn't haggle on the cost of any item I bought for religious purposes. It was a wonderful way of magickal living.
As I transitioned into Hellenismos, however, the change in mindset caused me to drop both practices without conscious thought. I knew what my path was, now. I didn't need that specific type of guidance. I left general Pagan books on the shelve that I would have bought only a week ago. With my new shopping list in hand, I still found myself in a veritable Elysium of possibilities. I also couldn't think up a single reason why I shouldn't try and haggle when the opportunity arose. In fact: it seemed like a perfectly valid Hellenic thing to do. And all of that over the course of, maybe, a week.
I have written before about the differences between general (Neo-)Wiccan/Witchcraft Traditions and Reconstruction. In that blog post, I focussed on the practical, on the part you can see. This is not the most important part of Reconstruction Traditions, though. It's a part of it, but it only exists because of a mental component. It's this component I want to talk about today.
In general, 'reconstruction' is the practice of rebuilding something. This can be a crime-scene, a broken vase or any number of things. In Paganism, Reconstruction means the practice of reviving lost religious, social and practical practices from a specific time period or people. It is not that different from reconstructing a vase, actually, and I will be using that analogy a lot today.
Imagine this; long ago, a potter made a vase. He needed to make one because he had something which needed a holder. He shaped it in a specific form, inspired by his culture and need, and when the shape was done, he decorated it with imagery that was also culturally inspired. Somewhere over the years, the vase broke into a dozen pieces. There was no need for that particular vase anymore, so no one put it back together. Now, people need a holder again, and it seems logical to put the original holder back together instead of making a new one, because the first one functioned very well. They realize that in order to put the vase back together, they need to understand the culture and whatever was going on in the head of the potter who made it; without that knowledge, they won't be able to figure out how the pieces fit together and they can't restore the imagery without knowing what the potter created in the first place.