...is that you get all the leftovers.
My festive First-Day-of-Spring breakfast:
- Steamed asparagus
- Toasted sesame egg bread
- Fresh farmer's cheese with garden chives
- Ostara eggs with hot sauce
- Fresh strawberries
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Now that the Neo-pagan holiday of Ostara is behind us, the secular/Christian celebration of Easter looms ahead. I know that many of us celebrate the mainstream holiday with the rest--especially as it has become a more secular event where all kids expect an Easter basket, and probably to take part in an egg hunt.
Due to our avoidance of eggs, we vegans have to adapt this holiday a bit more than other Neo-pagans. Here is an article that I wrote up about the season, and ways vegans can join in the fun.
...Hail Dawn, goddess of many names!
Éostre (Old English, West Saxon dialect) AY-aw-streh (ay as in say, aw as in awe)
Éastre (Old English, Northumbrian dialect). AY-ah-streh (ay as in say)
Both forms are used by contemporary pagans. Occasionally—probably under the influence of Ostara—written Oestre. (Technically, this form is historically incorrect, if you care about such things.)
*Ôstarâ (Old High German) OH-sta-ra (but most English-speakers say oh-STAR-a; technically, this is historically incorrect, if you care about such things.)
Name reconstructed by the Brothers Grimm. Probably the most frequently-used name for the goddess, and her springtime festival, among contemporary pagans and heathens.
Change is in the air! Today's Faithful Fridays brings to you stories of how the world's religious landscape is changing, both locally and globally. Read on to learn more about how the world's religious landscape will look in 2050, how Hinduism is affecting India's economic policy, and why young women are turning to Wicca.
In Latvian lore, not much is remembered of Austra—the goddess whose sister-selves include the other Dawn goddesses of the Indo-European diaspora: Ushas, Eos, Aurora, Ostara, Easter, among others—except for her name and her symbol.
Each of the Old Gods of the Baltic pantheon is associated with a particular sigil that has been faithfully transmitted through folk-art—in particular weaving and embroidery—down to our own day. Saule (Sun) has a sun-wheel, Mēness (Moon) a crescent, Pērkons (Thunder) the thunder-cross (fylfot), and the like (Dzērvītis112ff.).
Since Austra, by her very nature, does not readily lend herself to depiction—how does one draw a picture of light, of color?—her symbol is Austras koks, “Austra's tree.” This makes eminent sense, since trees capture both the first and last light of the day, even when the Sun is not yet (or is no longer) above the horizon. In Latvian lore Austra's tree is said to have copper roots, silver leaves, and golden branches (Dzērvītis 115).
Read figuratively, this describes the colors of the great Tree of the East as it shines with the new light of dawn. Read literally, the image may sound to the modern ear both artificial and unnatural. But to the ancestors, for whom the natural was commonplace and artifice precious, the image would have expressed the transformation of the everyday into the extraordinary.