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A conversation with Rommy Cortez-Driks,

author of 

The Trouble with Wanting, 

and Other Not-Quite Faerie Tales

I met Rommy in 2008, when she started studying Faerie shamanism with me. Early on, she showed me some of her writing. I was gobsmacked. Hers was an exceptional gift. She is a true bard.

The creative gift can be fragile. Day jobs and family responsibilities can make it near impossible to find the focus to write, let alone the time. That can be so discouraging that a writer throws in the towel, especially since the inevitable naysayers try to shake one’s confidence and destroy one’s spirit. Piled on top of that are inner demons trying to tear down the visions and drive that great art demands. And all the while, editors and writers with hidden agendas dole out bad advice, e.g., praising a writer’s worst writing as their best, so the writer produces mostly their worst. Add in the actual writing process, which is complicated and demanding if the book is going to be original and moving. ... Well, it’s a wonder any good books ever get written. 

In the court of the royal dún was found one morning a strange stallion, known to none. He was a well-made beast, and beautiful, but strangely-marked, white with red ears, like the cattle of the sidhe. But he laid back his red ears and bared his teeth, if any dared approach him.

Only for young Govan, of all the king's warriors, would he stand still.

So Govan mounted the horse, saying, Take me where you will.

The gates were opened, and they left the dún. To a green hill the strange horse bore him, and as they approached it, the hill opened, and they entered.

Govan found himself in a high and mighty hall, filled with fair people in many-colored clothing, and in the high seat a lordly woman, fairest of them all.

Welcome, son of Gawan, she said, so he dismounted and stood before her.

I was speaking with Laura Red Witch yesterday and she was telling me how magical it is to live in Glastonbury, England and walk amongst such sacred goddess sites and Arthurian legends. She also mentioned that area is a haven for fairies and having the energy of the wee folk around has been a beautiful blessings. Now that spring is here, we can all invite these delightful sprites in with fairy flora.

When planting your garden of enchantments, bear in mind that certain plants attract hummingbird, butterflies and fairies. The wee folk love daisies, purple coneflower, French lavender, rosemary, thyme, yarrow, lilac, cosmos, red valerian, sunflowers, honeysuckle and heliotrope. Folk wisdom handed down through the centuries claims that pansies, blue columbine, snapdragons planted in bed are a welcome mat for fairies and they can use foxglove, which means “folk’s glove,” to make hats and clothing as well as tulips for their haberdashery. They also favor sunny-faced nasturtiums. Fairies are also quite attached to certain fruit trees with pear, cherry and apple as their absolute favorites.  The hawthorn is one of the most magical trees. It marks the fairies’ favorite dancing places, and you should not cut or uproot a hawthorn unless you wish to incur their wrath. Keep your eyes peeled when these trees are in bloom as there are bound to be fairy folk about!

It's well-known in Iceland that elves make their homes in certain boulders.

Some years ago, a certain farmer near Reykjavik resolved to blow up a particular boulder in order to make room for a new henhouse. With this in mind, he went out and bought some dynamite.

From that day, his hens began to lay fewer and fewer eggs.

Every day there were fewer eggs, until finally there were none.

The farmer called in the vet. The vet examined the chickens. The chickens were in fine health; nothing was wrong with their feed. There was no organic reason why the hens should not be laying.

The farmer decided not to blow up the boulder after all. He gave the dynamite away.

The longest day in the Northern Hemisphere is upon us: Midsummer has reached even up here in Scotland where the long days go on and on even when we don't have sun. We've had more than our share lately, which is a bit disconcerting.

I have been deep in Scottish fairy lore for a project I'm working on. It's not my usual bailiwick but I am enjoying the tour immensely. One of the unexpected delights (thanks to a recommendation of the Folk Horror Revival group) is A. D. Hope's A Midsummer Eve's Dream: Variations on a Theme by William Dunbar. I have mentioned the late medieval Scots poet in previous columns like A Headache in Medieval Scotland and A Meditation on Winter.

Magic is the science and art of causing effect to occur in conformity with our will. This will has to be focused and expressed creatively, through images, symbols, ritual, art or music - anything that connects us to the flow of Awen. The Faerie Enchantment cards are designed with these ideas in mind. -- Ian Daniels

I love it when I find beautiful, useful oracles on crowdfunding sites like Kickstarter and IndieGoGo. It seems that this is the golden age of publishing for the bold, the innovative, the avant garde--especially for those who create and produce independently (i.e. without the strictures and interference of traditional publishers). 

Who are They, the Twilight Kindreds, the Neighbors, those other peoples in the land?

Called by many names, more felt than seen, once known by everyone everywhere: who are they?

They are the Interiority, the Inwardness of things, the Inside looking Out.

Environmental? Yes. In them, environment looks back at us.

Truly, the kingdom of Faerie lies within.