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Entering the archaeological site of Kato Zakros, which includes a Sacred Center and part of a town on a small hill above it, I felt too tired to continue with the others. As we passed a stone bench to the north and west of the open court, I lay down and closed my eyes. I don’t know if I actually slept, but when I opened my eyes, I was in a trance.

I could see the air vibrating, and as I looked up the hill, I could almost see women walking up and down the stepped paths. My eyes were fixed on the path where women I could not quite see with my eyes went about their daily tasks. After a while Cathleen joined me. “I don’t want to talk,” I said, “but if you sit quietly beside me, you will see women walking in the village. She sat down and said nothing, but smiled broadly and nodded when I asked her if she could see what I saw.

After a while, I moved and sat facing the Central Court. I could still see the vibrations of the air, and as I looked across the court, I felt a sense of anticipation. “The dance is about to begin,” I told Cathleen when she joined me a few minutes later. She nodded. It was an hour before sunset, and the ancient stones were bathed in the last light of day. Jana and Patricia were talking in the central shrine room, while the others leaned over the ancient cistern watching turtles and turtle babies dive into the water and emerge again. “The dance is about to begin,” I said again.

Over in Ariadne's Tribe we have a list of recommended books about Minoan spirituality and related topics. One of the books from that list that I find myself pointing out frequently to anyone who is interested in Modern Minoan Paganism and/or goddess spirituality (besides my own books, of course) is Charlene Spretnak's classic work Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths. Originally published in 1978, this amazing little volume is still in print, and with good reason.

Ms. Spretnak addresses herself to nine goddesses, eleven if you count the Moon Triad as three separate ones: Gaia, Pandora, Themis, Aphrodite, the Moon Triad (Artemis, Selene, Hecate), Hera, Athena, Demeter, and Persephone. She offers some fascinating information about each one, detailing where they originated, what their early worship was probably like, and how the Hellenes and other later cultures "demoted" them from their original places of honor and power. It's both enlightening and a little sad to discover how these goddesses were purposely tarnished over time. But this book helps to polish them back to their original glow.

My journey on the Path of She began thirty years ago.

At this time, I was in my mid-twenties, totally lost in the mainstream culture, with a business degree and a promising career in a blue chip company, living a material, achievement-driven life that neither fed my soul nor gave me joy.

Then one fateful night, on a Winter Solstice eve, the Goddess came to me in a dream. Though I wouldn’t remember this dream until many years later, my life was set on a new course.

"Braids, tapestries, and currents in the river show us the way again and again--it cannot be one clear way or another, it has got to be both ways and together."

--Eila Carrico, The Other Side of the River

As someone who comes to goddess spirituality from a feminist thealogy perspective, I have found it important to distinguish between the lineage and history of goddess spirituality and that of contemporary paganism as a broader and larger movement. While the roots of goddess spirituality are indeed entwined with paganism and Wicca, there is still a distinct “herstory” of the goddess movement in the United States, as well as qualities, traditions, values, perspectives, and tenants within it that are worthy of consideration on a stand-alone basis.

The Goddess in America, forthcoming from Moon Books this fall, is a highly recommended anthology of insightful essays about the meaning, role, expression, and experience of the Goddess in the United States. This is not a 101 or introductory book, but rather a complex exploration of a variety of topics including cultural appropriation, differences between feminist goddess spirituality and Wicca, contemporary priestessing, pop culture goddesses, goth goddesses, polytheism vs monotheistic concepts (i.e .the difference between “all goddesses as one” and each goddess as an individual), goddesses and the land and whether goddesses can be “transported” to other locations/lands, and much more. The book contains contributions from nineteen writers with diverse perspectives and experiences and it identifies the “enduring experience of Goddess Spirituality through a four-part discussion focused on the Native Goddess, the Migrant Goddess, the Goddess in relation to other aspects of American culture (Feminism, Christianity, Witchcraft, etc.) and the Goddess in contemporary America.” As someone who loves books, I believe that anthologies are possibly one of the greatest inventions of all time. Indeed, the only problem I had with this book was that the writers were so talented and have written so many other interesting books, that my to-read bookshelf now becoming even more extensive!