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Subscribe to this list via RSS Blog posts tagged in Goddess

Posted by on in Paths Blogs
The Sacral Scarf: Minoan Symbolism

A while back, I shared some information about some snake-like sacred knots in Minoan art that may or may not have anything to do with the tet knot associated with Isis in Egyptian symbology. There's another "sacred knot" found in Minoan art that's very different, made from a length of fabric that's loosely looped and knotted. Scholars often lump it in with the other sacred knots, but it's not the same. Those of us who practice Modern Minoan Paganism have taken to calling this object the sacral scarf to differentiate it from the knots made of cord or rope.

Some time ago I offered a few thoughts about the sacral scarf. Since then several of us in Ariadne's Tribe have worked with the sacral scarf and have come up with some ideas about what it represents and how we can use it in ritual to connect with the divine. First of all, from the artwork we can clearly see that this is a length of woven fabric, fringed on the ends and knotted with a loop:

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Posted by on in Paths Blogs
Book Review: Lost Goddesses of Early Greece

Over in Ariadne's Tribe we have a list of recommended books about Minoan spirituality and related topics. One of the books from that list that I find myself pointing out frequently to anyone who is interested in Modern Minoan Paganism and/or goddess spirituality (besides my own books, of course) is Charlene Spretnak's classic work Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths. Originally published in 1978, this amazing little volume is still in print, and with good reason.

Ms. Spretnak addresses herself to nine goddesses, eleven if you count the Moon Triad as three separate ones: Gaia, Pandora, Themis, Aphrodite, the Moon Triad (Artemis, Selene, Hecate), Hera, Athena, Demeter, and Persephone. She offers some fascinating information about each one, detailing where they originated, what their early worship was probably like, and how the Hellenes and other later cultures "demoted" them from their original places of honor and power. It's both enlightening and a little sad to discover how these goddesses were purposely tarnished over time. But this book helps to polish them back to their original glow.

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Posted by on in SageWoman Blogs
The Songs of Imbolc

Imbolc approaches on silent, padded footsteps. A time of quiet rejoicing, where here in the UK the festival and time signifies the start of Spring. Though for many in North America, the equinox is when the celebrations for Spring begin, here in the warmer climes of these isles hugged by the gulf stream we already begin to see the changing of the seasons reflected in the green and growing things, as well as the birthing of new lambs.  Just today, as I went outside to meditate, the songs of the birds had changed, and the robin and blackbird were singing their first songs of courtship, even as the blue tits chirped their appreciation of the sunlight. The slender green shoots of crocuses are beginning to appear, alongside a wash of green from the grape hyacinth shoots. Living so close to the sea, our south-facing garden is always ahead of the season it seems, and at this time of year, it's most welcome.

It's been a difficult winter for many, and the signs for the future can seem bleak. But as followers of an earth-based tradition, we know that we can look to nature for guidance, for inspiration, for sanctuary and for blessing. Our relationship with the land, sea and sky helps us through the darkest of times, with the gods and ancestors breathing their ancient breath into our bodies, inspiring us to carry on, to create change, to go with the flow. Nothing is permanent.

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Posted by on in Paths Blogs
Who were the gods of ancient Crete?

The description of my Facebook group Ariadne's Tribe states that Modern Minoan Paganism isn't a reconstructionist tradition. That's true. Reconstructionist traditions use texts from the original culture to figure out what the religion looked like back then, and we don't have any Minoan texts that we can read. Linear A, the script the Minoans used to record their native language, is still untranslated. But we do have something close that has been deciphered: Linear B.

I know, the names of these scripts are maddeningly non-descriptive, but they tell us one thing right up front: Linear A came first, with the Minoans, who were one of the indigenous peoples of Old Europe and who inhabited Crete beginning in Neolithic times. Later, during the Bronze Age, the Mycenaean Greeks (who were an Indo-European people) came down through the Greek peninsula and met up with the Minoans. They learned a lot from the Minoans, including how to write (they were illiterate before contact with the Minoans).

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Sacred Marriage or Unholy Cover-Up? by Carol P. Christ

Many women are drawn to the image of the Sacred Marriage—perhaps especially those raised in Roman Catholic or Protestant traditions where sex is viewed as necessary for procreation but nothing more, and who learn that the naked female body as symbolized by Eve is the source of sin and evil. In this context, the positive valuing of sexuality and the female body found in symbols of the Sacred Marriage can feel and even be liberating.

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Posted by on in Culture Blogs

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Title: Among Galactic Ruins: A Phoenix Adventure 

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Posted by on in Paths Blogs
Minoan Birds: Goddess on the Wing

Birds of all kinds are a common theme throughout Minoan art. We find them in natural settings and in ritual art, and in some very interesting combinations that suggest the Minoans worshiped a Bird Goddess.

In many cases, the artist depicted the birds with naturalistic realism, to the point that we can often identify the specific species. These images include swallows and partridges:

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