Over the past six years, what began as a tiny collection of people in a FB group has evolved into a full-fledged pagan tradition: Modern Minoan Paganism (MMP). Yes, I'm as astounded as you are. One aspect of that evolution is that we've spent quite a lot of time researching and developing relationships with different deities, some of whom we didn't even realize existed until very recently. Today, I'm sharing with you the full pantheon. Beginning next week, I'll focus on one deity per week, sharing their iconography that we find in Minoan art.
MMP is a revivalist tradition. We're not attempting to reconstruct either the pantheon or the religious practices of the ancient Minoans - that's probably not possible anyway, since we can't read their writing in Linear A. But just be aware that this is the pantheon we use as modern Pagans. We honestly can't say whether or not this is how the Minoans interacted with the deities, but it's pretty clearly the way the gods and goddesses want us to interact with them now.
I intended to make it more elaborate. I thought of getting out the embroidered round altar piece with Frigga spelled out in runes, at least. Possibly a decorative spindle. Find and bring out a matching tea pot and tea cup and even a saucer. Get or maybe even make some tea cookies. In reality I just made the tea in the usual pot that was already sitting on the kitchen counter. Instead of a beautifully arranged altar setup we just had our tea at the table, without even a table cloth, like a friend had dropped over to help out and express support.
Who knew the sovereign goddess, the queen of heaven, the goddess most associated with the running of an efficient estate, could also be the sort of friend who ignores the mess when one is overwhelmed?
For a long time, I wondered what on Earth possessed the Minoans to paint women as white (not Caucasian-toned, but the color of a sheet of paper) and men as dark-dark red. After all, DNA evidence shows that, like their ancestors in Neolithic Anatolia, the Minoans all had skin in various shades of brown. So why the weirdness in the art, like the Bull Leaper fresco above?
Then I began to learn about Mediterranean folk dance. Dance ethnography isn't a subject I ever really thought about before, to be honest. Then a talented dance ethnographer began to share her insights with us, and a lot of things began to make sense. (Check out her book The Ancient and Martial Dances for some fascinating info.)
Whenever I check on my blog statistics, I always find that the post I wrote about topless Minoan women is the number one in terms of hits. The female breast is such a source of titillation (ha!) in modern society, it's hard to wrap our minds around the idea that exposed breasts might have represented something other than sexual innuendo to the ancient Minoans. But we're pretty sure they did.
In addition to the frescoes and figurines that show women with exposed breasts, Minoan art also includes quite a few representations of animals suckling their young. The image at the top of this blog is a drawing of a faience plaque found at Knossos. It shows a mama goat suckling a kid. There's a similar plaque with a cow and her calf. Images of mother animals suckling their young - cattle, goats, sheep, even deer - appear on a number of Minoan seals.
A worldly empire does not provide safety. There is only the Great Void. It is my safety. It is the Goddess’ nurturing and loving Self.
A possible problem when pursuing success, in business or your personal life, is a false sense that you’re building an empire in which you will find safety. There is no secure empire, there is only the Great Void. And it is the one secure Empire.
Strike a pose! Ecstatic postures have been a part of human religious practice for millennia, possibly going back as far as the Paleolithic. I've explored ecstatic postures and their place in Modern Minoan Paganism before. They're a kind of spiritual "tech" - like yoga and tai chi, ecstatic postures make energy move via the mechanism of holding the body in particular ways. We find examples of these postures in the form of votive figurines from Minoan sacred sites such as cave shrines and peak sanctuaries. The best-known of these postures is probably the famed Minoan salute.
Most ecstatic postures appear to have been used by spiritworkers and worshipers to journey to specific places in the Otherworld or to connect with particular deities or spirits. In that sense, the usual museum label of "worshiper figurine" is accurate.
Steven Posch
Makes good sense, Earth being the center of everything that we know. One of the advantages of polytheism is that there's always more than one good ans...
Victoria
Interesting post. I turn to Еогþe, from surviving Old English literature Еогþe was associated with healing magic and has power over all creatures (If ...
Jamie
Mr. Posch,We'll just have to agree to disagree about this matter.The REEs (Rare Earth Elements) are so economically and strategically valuable, that b...
Steven Posch
We've already seen the damage that unsacred exploitation of resources can do here on Earth; gods forbid that we should take it elsewhere as well. My p...
