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Subscribe to this list via RSS Blog posts tagged in magic
Anthropomorphic Assumptions that show up in magical work

One of the challenges with exploring a non-anthropomorphic approach to magical work involves uncovering the anthropomorphic assumptions that show up in your thinking and practice. These assumptions can be quite subtle and yet can create a cognitive dissonance with the work you are seeking to do. At the same time, another challenge we face is the inevitable fact that at some point we need to translate and interpret experiences into something we can relate to. Anthropomorphism is one such route, though it is not the only route. I think that if we are to genuinely apply a non-anthropomorphic perspective and practice to our spiritual work we necessarily need to identify the anthropomorphic assumptions which may come up. Below are some such assumptions, as well as how you can identify them.

Applying humancentric categories or labels to experiences. One of the assumptions that comes up involves seeking to categorize or label a non-anthropomorphic experience. We use labels and categories to organize our thoughts and define the world around us, but the problem with such an assumption is that in our haste to define and categorize we can miss out on being open to experience. Admittedly, it can be argued that we use labels and categories to provide some type of explanation for what we've experienced, but perhaps in seeking to explain it using categories and labels what we lose is something essential about the experience that can't be explained in that way. A better approach would be to take your time with the experience and seek it out multiple times. As you have it, allow yourself to express it without attaching labels or categories. Whether its stream of consciousness writing or painting or music or some other form of expression open yourself to expressing it differently.

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Posted by on in Studies Blogs

It’s back to school time, and that has me thinking about those of us who no longer spend much time in a classroom. I’d like to encourage us to think deeply about different purposes and practices of learning so that we can shape our own back-to-school intentions for ourselves. One of the biggest ways to make a difference is to practice what's not perfect.

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How to Recognize I can't in your Magical work

Sometimes what I find most fascinating about magic is what limitations people build into it. In other words, a person will say to themselves, I can't do this in magical work. They'll have various reasons for that " I can't" which can range from moral/ethical reasons, spiritual "laws" or personal hang-ups that tell them they can't do x because of y. I do believe in the value of limits, and I think limitation, as a principle can be very effective for magical work, but when I talk about limitation I'm not referring to the "I can'ts" which are ultimately subjective, but rather to natural principles that structure, organize, and scaffold how magic can work. And its important remember that such limitations can be worked with quite productively, provided we understand them. The "I can'ts" on the other hand are wholly subjective, developed for various reasons that tend to be more harmful than useful in most situations.

When I was young, I was often told what I couldn't do. I'd tell a family members one of my ideas and be told it would never work and that I couldn't do it. Fortunately I never believed them, and if anything when I heard such discouragement, it encouraged me to prove them wrong. It's fair to say that up until my mid twenties most of what I did was inspired by a desire to prove people wrong, to prove that what I couldn't supposedly do, actually could be done. Even to this day, I still find that when someone says that something can't be done, it gets me curious to see if in fact they are correct, or if it can be done. 100% of the time I find it (whatever it is) can be done provided you have enough motivation and willingness to experiment and try various possible solutions. What this indicates to me is that many times the only limitation people deal with is the one they impose on themselves or accept from other people.

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Posted by on in Culture Blogs

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Title: The Eye of Odin

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How I've learned to let Magic Move Me

A while back on Pagansquare I wrote several articles about my work with elemental magic (you can find them here and here). I'm currently in a process of transition from the element of movement to the element of stillness. I've been working with movement for almost two years and will fully switch over on the 2nd year anniversary of my work to stillness. However, even before that date, the transition is beginning. Elements of Stillness have been showing up in my work for a good part of this year and are becoming much prevalent in the time leading up to the change.

When I first started the elemental balancing ritual, I chose the element. The very first year, I chose Water because I knew I needed to get in touch with my emotions and water represented that to me. The next year I chose Sound because I needed to work on connecting with people. The third year I chose Earth because I wanted to ground myself where I was living. After that though, the elements started choosing me. Or rather incidents occurred in my life that spoke for the need to work with a specific element to help me find balance. In the Earth year, the element that came up was Love. I'd made some bad choices in handling relationships and it became clear to me that I needed to work on love and what that meant to me. In the middle of the love year, I had an experience that demonstrated to me that I needed to work with Emptiness as an element. And so on and so forth.

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Hierarchy, Musical Harmony, and Magic

In Music Power Harmony, R. J. Stewart presents an interesting take on the concept of hierarchy as it relates to musical harmony and how that can be applied to magical work. He argues that hierarchies aren't inherently linear or spatial and that treating a hierarchy as a series of separate entities with linear connections ignores holistic aspects of the hierarchy that could be useful in magical work. When examining hierarchy from a harmonic perspective, Stewart notes that harmonics can open our awareness to resonances and relationships between the patterns and entities involved, in such a way that it provides order without necessarily bringing authority into the mix. It's an interesting take on hierarchy, which is typically treated as a linear structure with temporal authority included in it.

The problems that most people have with hierarchy is the abuse of authority or the bureaucracy that makes it convoluted and unable to do anything. Typically hierarchies are associated with corporations, governments, and other such institutions. These institutions enforce hegemonic authority and standards that keep certain agendas in power, while keeping others out. It's not a surprise then that people have knee jerk reactions to hierarchy. Yet I think R. J. Stewart makes some interesting points about hierarchy as it relates to both music and spiritual work.

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Title:The Misadventures of Salem Hyde

Publisher: Amulet Books/Abrams

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