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Subscribe to this list via RSS Blog posts tagged in Minoan

Posted by on in Paths Blogs
Minoan Pottery: It's NOT all Greek to me

One of the more frustrating aspects of practicing Modern Minoan Paganism and studying ancient Minoan culture is that we can't read Linear A, the script the Minoans used to write their native language. So we have to rely on the fragments of Minoan myth and history that have trickled down to us via the Greeks (the Minoans weren't Greek - they were their very own independent Bronze Age culture).

This means we don't even know the words the Minoans used for ordinary objects like cups and bowls. The archaeologists who first excavated Minoan sites had backgrounds in Greek history, myth, and culture, so they simply used the Greek terms for the pottery they unearthed. That's why libation pitchers from ancient Crete are called rhytons (or rhyta, if you want to use the Greek plural); rhyton is the Greek word for this kind of container.

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The Minoan Seal Ring Project: Sacred Art

In addition to being a writer, I'm also an artist, and I find myself inspired by the works of the ancient Minoans. One of the unique traditions the Minoans had was creating gold seal rings with ritual scenes on them. I've created my own modern art versions of these seal rings as a way of bringing the scenes alive.

Up top you can see my version of the gold seal ring found in the Isopata tomb at Knossos. Here's the original:

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Posidajea: The Minoans' Grandmother Ocean

If you live on an island, even a big one like Crete, the ocean is a constant presence. And if you spend a lot of time in boats and ships, like the Minoans did when they went fishing or traveled across the waves to trade, the ocean becomes a powerful focus for your safety and livelihood. So it's no surprise that the Minoans had a goddess of the sea, the sacred embodiment of the womb-ocean that their island rises up out of. Her name is Posidaeja.

Posidaeja's name shows up in the Linear B tablets, which record the Mycenaean Greek language. We don't know for sure that Posidaeja is what the Minoans called her, but when we use the name, she answers, so at the very least she's agreeable to it. Many of us who practice Modern Minoan Paganism simply call her Grandmother Ocean.

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A Modern Minoan Pagan Author: Why I do what I do

A lot of people ask me how I got into Modern Minoan Paganism and why I'm inspired to write the books and create the art that goes along with that spiritual path. If I'm honest, the Minoan gods and goddesses have been stalking me since I was a teenager and it just took me a while to pick up on their intent - sometimes I'm slow that way. But once I finally got started, all enthusiastic and rarin' to go, I hit a roadblock: There were virtually no resources out there.

Bear in mind, I'm old enough that when I first started researching the Minoans, I had to resort to actual ink-and-paper encyclopedias and history books. And none of those ever had more than a paragraph or two about the Minoans, usually as a sort of side note before the text started talking about the Greeks.

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Is Modern Minoan Paganism true for its time?

Joseph Campbell said that all religions are true for their time. Of course, the religion the ancient Minoans practiced had meaning and value in Bronze Age Crete. But what about the spiritual path we're creating with Modern Minoan Paganism? How can we be sure it's true for our time?

First, I should point out that we're not trying to reconstruct ancient Minoan religion - really, we couldn't do a proper reconstruction even if we wanted to because we can't read what the Minoans wrote and we're missing a lot of the original mythology. And even if we did manage to reconstruct it all, it probably wouldn't fit well in our modern world: We have a different lifestyle, value set, and worldview than the Minoans did, even if we're Pagans.

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“Some Day We'll Have Sacred Dances Again”

“Some day we'll have sacred dances again.”

When my friend Doc said this to me more than 20 years ago, his tone was wistful.

Today, decades later, though we may not quite be there yet, we're closer, closer, to the day that he foresaw.

 

In 1890, avant-garde French composer Eric Satie (1866-1925) published a mysterious, haunting piano piece that he titled Les Gnossiennes.

The word is Satie's own coinage. What he meant by it is unclear. At least some commentators have derived it from Knossos—in Latin, Gnossus—the First City of Minoan Crete. If so, it would mean either “the Knossian Women” or “the things (fem.) of Knossos.”

American dancer-choreographer Ted Shawn (1891-1972) read a Minoan reference in the term. Accordingly, he choreographed a dance for solo male dancer to Satie's music that presented—in Shawn's own words—“a priest of ancient Crete going through a ritual at the altar of the Snake Goddess.”

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Summer Solstice: Celebrating Modern Minoan Paganism

Here in the northern hemisphere, we're coming up to Summer Solstice, the height of the Sun's power over the yearly solar cycle, a time to celebrate the Minoan Sun goddess Therasia and the solar year-king Dionysus. In the Mediterranean, where the ancient Minoans lived on the island of Crete, this was (and still is) an incredibly hot, dry time of year - the Sun's power is overwhelming.

As modern Pagans, we have multiple options for what to focus on and how to celebrate this special point in the year. Most of us probably don't have the resources to put on a huge Midsummer mystery play the way the ancient Minoans probably did at their big temples. But we can celebrate with modern-style ritual that focuses on the Minoan deities who are associated with this time of year.

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