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The Internet is a great source of information, but it turns out that it's also a repository of out-of-date and incorrect ideas that keep getting passed around again and again simply because they're floating around in cyberspace. Believe it or not, the Minoans are the subject of quite a few of these bits of misinformation.

In the interest of efficiency, here's the list of Minoan-related concepts that I find myself having to explain most often. Don't panic; I believed many of them myself at one time. But it's a good idea to set the record straight. Plus, this way I have a link to point people to instead of having to constantly repeat myself. :-)

Tethys Speaks

"I really like your artwork - it's beautiful and powerful.  But it's too dark for me to hang in my home." These words came from a middle-aged woman (my guess), standing in front of my table at a recent art show.  While most of the other attendees were in some form of fandom or cosplay attire, she was in regular clothes - well put-together, conservative yet confident, reminiscent of my mother in style.  

Though none of that really matters, it was just a quick observation on my part while trying to come up with a response.

I first became aware of Field Dragons from reading about “fire-lizards” in Anne McCaffrey’s books about Pern. They enjoyed being around humans and were rather noisy. After reading about “guardian dragons” in D.J. Conway’s books, I realized that McCaffrey’s “fire-lizards” were Conway’s dragons. And They were the same dragons who liked to play hide-n-seek among the wildflowers.

As I wrote in my blog post about dragon families, I encountered the Dragons of the Fields while on my wildflower walks. (These dragons can also be found frolicking in gardens and orchards.) Sometimes, an odd butterfly will suddenly flit by you. At other times, you glimpse something colorful out of your eye. And on waning summer afternoons, you may hear singing in the waving grass. These are the Dragons of the Fields at play.

The Griffin (Gryphon) has had a long association with humans. For example, She is a part of people’s last names and featured in their coats of arms. Since the time of Sumner, the Griffin has stood for majesty and nobility.

 Various myths depict the Griffin as the combination of the lion and the eagle. Since both of these earthy animals are monarchs of their own domains, the Griffin is considered the Ruler of Heaven and Earth. This mythic animal, with her offspring Hippogriff, are the only members of the Tribes of the Cosmos. While the Griffin protects the Tree of Life with its Golden Apples, the Hippogriff carries the worthy traveler between the worlds. Because of this, the Griffin is also the Sentinel of the Throne of Heaven and Earth.

What is a mythic animal? Traditionally considered a product of people’s imaginations, they are animals that do not exist on the physical plane. In fact, many mythical animals are a combination of several real animals. (They usually have the characteristics of both animals.) But mythic animals are real to those who dream.

Mythic animals live on the edges of our minds. Moreover, they live in our world, in places where everything is a little wild and primitive. Furthermore, we may encounter them, when we least expect it. For example, on a foggy day or a moonlit night, you may glimpse one. I have seen dragons sunning themselves on mountains as I traveled a busy highway. Dragons have also appeared briefly in raging snowstorms in my local area.

12^th century England, the yeomanry crushed beneath the heel of their Norman overlords. Shooting a deer to feed your family is a capital offense. The people cry out to their ancestral god to free them.

And Herne, ancient god of the forest, hears his people's cry. He calls a dispossessed young English nobleman, Robin of Loxley, to be his son and to lead his people in their struggle against Norman oppression.

This is the heady premise of Richard Carpenter's landmark Robin of Sherwood, which aired in the UK from 1983 to 1985, the first television series to be shaped by the newly-emergent paganisms of the West. In the process, it transformed forever both the Robin Hood mythos and modern paganism itself.

That's a lot to say for one TV series.