The restaurant — hole-in-the-wall with age-darkened brick wallpaper, old-lady peony-pink damask table cloths, the color my Chicago adopted grandmother used to like in homemade church blouses, eyelet white lace curtains festooned with paper ribbons in the ceiling, entwined with silk flower vines, glitter easter-eggs, feather butterflies in “old-lady chic” the guidebook calls it, ribbons hanging from the trophy animals, dusty green-red pheasant I can’t see his tail, two deer heads with gold mardi gras beads wrapped ’round dead necks and antlers, soft orange carrot salad a feast of hunter’s stew between potato pancakes plump meat chunks tucked in a surprise the old man with Andy Warhol hair arguing cheerfully with the middle-aged waiter reading a conservative fantasy novel, this food is better than your mother’s he says with a straight face, expecting the rejoinder as my husband checks out, tart herbaceous currant juice, the color of crushed berries — it tastes like secrets –
On November 22nd I had the honor of attending Andrea Arroyo’s opening reception for her Memories Interlaced exhibit. Above is the picture Andrea graciously took with me during her busy reception. I was honored to be standing next to a Goddess sister whose art has been featured in The New Yorker, The International Museum of Women, The Smithsonian and countless public exhibits. Her current exhibit, at The Malcolm X & Dr. Betty Shabazz Center, is free and open to the public until January 10th 2014.
Her featured Goddesses line the wall of the center with rich, warm colors that bring out the love within the cloths they are painted on. Andrea chose to paint Goddesses on cloths made by women from around the world. From delicate and powerful lace to an Indian prayer shawl— walking into her exhibit is a chance to be in sacred space with such Goddesses as Hathor and Sarasvati. You also have the opportunity to admire pieces from her Sacred Women series; paintings inspired by female characters from world sacred texts, and influenced by the outlines of sacred architecture.
It gives me hope as a woman who is working on my own ever-evolving Goddess art to see how far Andrea has come with hers. The world needs more art dedicated to the Divine Feminine! Andrea’s artwork creates a space to have conversations about the power and mystery of women, our divinity and strength—our Goddess selves. If you have the chance to visit NYC before January 10th, dance your way to the Goddess temple Andrea has created in Upper Manhattan and bring your sisters!