Reader discretion advised. Contains material of a sexual nature.
In October 2001 I was privileged to see Joffrey Ballet's Domingo Rubio in the title role of the reconstructed Nijinsky-choreography Après-Midi d'un Faun. It was an unforgettable performance: the queerest faun ever.
You know the story. (You can see it here, danced by Rudy Nureyev.) A faun wakes up in mid-afternoon, after, presumably, sleeping off the night before. (You know fauns.) Enter a group of nymphs, come for an afternoon bathe in the river. The faun shows himself. The nymphs are frightened. He singles out one and dances with her, flirtatious. Finally she runs off with her girlfriends, but in her panicked flight she drops part of her outfit. The faun rushes over, picks up the wrap, and cradles it in his arms, kissing it. Then he spreads it out lovingly on the ground and slowly lowers himself onto it. With a single convulsive thrust of the pelvis, he ejaculates all over the fallen shawl. You can practically smell the squirting semen.