One of the interesting aspects of imagining or recreating Minoan daily life - including religious practice - is that we don't have any textiles to speak of: no altar cloths, no curtains, no rugs or baskets. The damp Mediterranean Sea air tends to rot organic materials pretty swiftly. So we only have a few tiny fragments of the real thing, plus pictures of them in Minoan art.
But we have an interesting reflection of soft materials in some creative ceramics the Minoan potters made. Minoan pottery was pretty imaginative all round, including loads of 3d decorations and other fun details. But this particular class of ceramic vessels is unique: They all look like they're made of soft materials.
You may have heard of Kamares ware - the beautiful polychrome (multicolored) pottery produced in the Minoan temple at Phaistos during the Bronze Age. But did you know that this type of vessel gives us a window into the lives of the ancient Minoans?
Kamares ware was incredibly popular and was produced for centuries, from about 2100 to 1450 BCE. Its bold red and white designs on a black background remind me of the folkloric dinnerware that was popular in the 1960s and 70s:
One of the more frustrating aspects of practicing Modern Minoan Paganism and studying ancient Minoan culture is that we can't read Linear A, the script the Minoans used to write their native language. So we have to rely on the fragments of Minoan myth and history that have trickled down to us via the Greeks (the Minoans weren't Greek - they were their very own independent Bronze Age culture).
This means we don't even know the words the Minoans used for ordinary objects like cups and bowls. The archaeologists who first excavated Minoan sites had backgrounds in Greek history, myth, and culture, so they simply used the Greek terms for the pottery they unearthed. That's why libation pitchers from ancient Crete are called rhytons (or rhyta, if you want to use the Greek plural); rhyton is the Greek word for this kind of container.
It seems a long time since I've written, but it's taking a long time to fill the kiln! I'm making smallish pieces, and it's a pretty large orifice! However, I started working on some larger pieces today... watch this space.
For those of you following the adventures in clay, here's the Fool. I've got a lot of work to do on these, and I think I'm going to be moving away from using the forms in order to start to craft my own. That's going to take time, but the awesome thing is that once I have made the original, then I can make my own sprig molds from that. This means I can keep my originality, but also keep the price down. Win win, right? Watch this space. I think I rather fancy doing the Tower next... and maybe working on some more creative pieces, too.
It's been awhile since I've been here, and that's because things have been... mutable. I've decided to try to re-enter (because Mercury retrograde is always a good time to go back to something that's been previously started, right?) working with clay again. I believe I mentioned it previously, in my last article. I've been doing a lot of reflecting since then.
You see, Tarot is such a part of my life that it is hard for me to isolate things. I see the cards in shapes throughout the day. I think about what card would represent what activity I'm doing at the time. I use the Tarot as a guide to activities, as a focal point for my art, and more. Between astrology (to which I've also returned over the last year), runes, stones, and the tarot, my life is pretty full of amazing shapes, themes and designs.
Thesseli
You should post on Substack too, where you won't have to worry about being deplatformed or kicked off the site for your views. (Also, I've archived th...
David Dashifen Kees
I feel it necessary to state, unequivocally, that anti-trans points of view are not an essential part of Paganism. As a trans Pagan myself who helps ...
