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Subscribe to this list via RSS Blog posts tagged in Taylor Ellwood
How the Death Gate Cycle inspired my Process approach to Magic

I've just finished re-reading the Deathgate Cycle, a 7 book series published in the early 1990's and one of my favorite fantasy series. One of the reasons I like the series so much is the appendices, which the authors created to explain various aspects of the series, including how the magic in the series works. Although neither author is a magician, so far as I know, the detailed explanations they share provide a lot of insight into not the magic of their series, but magical work in general. For example, one of the concepts they talk about is the importance of definition in magic, and how definition shapes the raw possibilities into something that a person can understand apply to the world around him/herself.

I read the Deathgate cycle when it first came out, before I started practicing magic. It's fair to say that reading those appendices certainly had an effect on how I thought about magic, once I started to practice it in earnest. The concepts presented provided a way to understand magic that made sense to me, because what was presented was a very methodical approach to magic that made sense. That I would find some similar approaches in actual books on magic only confirmed to me the value of looking outside of strictly magical texts to find inspiration in my magical work.

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How to turn Profane holidays into Sacred Days

One of my favorite holidays is Thanksgiving. It's always been one of my favorite holidays because of the gathering of community and the sharing of food, as well as the playing of board games after the food has been eaten. Then again, I just like social gatherings in general, where people come together to share food and connect with each other. Nonetheless, Thanksgiving holds a special place in my heart. Perhaps one of the reasons I like this holiday so much is that it isn't overtly associated with any given religion. Rather it is a profane holiday, which nonetheless can become sacred.

Actually I think that's true with any given moment you have. There is no moment that is strictly profane or sacred that isn't made that way by the people in that moment. What makes something sacred or profane is our own interpretation of it, and how we choose to embody it. So when it comes to Thanksgiving, the experience of the food, friends, and activities becomes sacred because of how I choose to approach those moments. The making of the food is significant because of the meaning I associate with it. The point I'm making is this: What makes something significant ultimately is your choice to make it important. For many people, Thanksgiving will be a day off, or a day celebrating gluttony or commercialism or any other number of things. For me, Thanksgiving is a holy day. That's my perception of the day, but its also how I approach the various activities of the day. I'm aware of the various other meanings that people have for the day. But those aren't my meanings.

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Recent Comments - Show all comments
  • Linette
    Linette says #
    Thank YOU for this blog! As an aside. I live in an area with Native American reservations on two sides of me and nearly all the N
  • Taylor Ellwood
    Taylor Ellwood says #
    Glad you enjoyed the post. Like you I feel everything is sacred as well...but it really does cme down to appreciating that sacredn
  • Modemac
    Modemac says #
    Thanksgiving may not be overtly religious (though the Puritans had religious motives behind nearly everything), but it is *is* pri
  • Taylor Ellwood
    Taylor Ellwood says #
    There's definitely controversy around the holiday. I suspect that many people, myself included, will continue to celebrate it rega
How Pop Culture promotes interest in Mythology

I'm currently replaying the God of War series. Each time I play this series, what fascinates me about it is how Greek mythology is portrayed in the game series, and how that very process of representation consequently creates new interest in the original mythology. And this isn't just limited to God of War. I've noticed this same phenomenon with the Percy Jackson series, Marvel's version of Thor, and other modern variants of older mythology, which simultaneously create new mythology and also revitalize older mythology by getting people interested in the source material.

While there may be some knee jerk reactions to this concept from purists, I think that its worthwhile to examine and understand how pop culture can revitalize interest in older mythologies, and how this may even be intentional on the part of the deities associated with those older mythologies. The reason it may be intentional is that said deities recognize that one way to get attention, belief, and eventually worship involves utilizing the medium of modern culture in order to get in front of the various people who might be receptive to those deities. And in this age of multi-media, the opportunity to get in front of such an audience is unparalleled for there are more people living now than have ever lived in previous eras of history.

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Recent Comments - Show all comments
  • Mariah
    Mariah says #
    A lot of us have our pop culture gateways to paganism! For some it remains part of their path, others move beyond it. For myself,
  • Taylor Ellwood
    Taylor Ellwood says #
    Good point about the UPG of authors.
  • Erin Lale
    Erin Lale says #
    New versions of mythology for the modern world are perfectly fine, as long as they don't insult the beings being portrayed. My gen
  • Taylor Ellwood
    Taylor Ellwood says #
    I'd agree that not everything produced is accurate to the original mythology and that in some cases it can be quite a different st
  • leonard wilson
    leonard wilson says #
    Great observation , i to enjoy the God of war series , later find myself brushing up on mythology , i just never made the connecti
The never ending process of Internal Work

A lot of the magical work I do and have been doing for the last ten years is focused on internal work. Internal work is a combination of inner alchemical techniques, energy work, meditation, ritual magic, and psychology. The focus of internal work can vary, based on the particular purposes you apply it to. For example, internal work can be used to help you develop a better understanding of your body, or can be used to refine your internal energy, while also releasing emotional and mental blockages (also known as dysfunctional behaviors). Internal work can also be used to deepen your connection to the spirit world, or it can be used to cultivate your creative resources. Ultimately, the purpose of internal work can be boiled down to it being used as a catalyst for change.

I use internal work for all of the above purposes and have been doing internal work for ten years, as I mentioned above. I woke up, one day in March, in 2004, with the realization that if I didn't change my life I'd end up in a bad situation. I'd been living my life reactively and I suppose I had a glimmer of realization about that reactivity, which consequently led me to start doing internal work. I realized I didn't want to live a reactive life, constantly responding to what came into my life. When you live life in that way, you live in a chaotic environment, with little control over yourself, let alone anything else, because you are letting what happens to you dictate your life and the choices you make in life. You are living a life of reaction instead of a life by design.

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Posted by on in Studies Blogs
The Esoteric Secrets of Fantasy Books

Kat and I are reading Puck of Pook's Hill by Rudyard Kipling right now. It's a classic Fantasy story, but what I find interesting is that in the first chapter, if you know what to look for, you discover a lot of esoteric and occult practices shared with the protagonists of the story, and this sharing continues throughout the rest of the book. It's a subtle way to teach magic to readers. Given when the book was written, the author needed to be subtle about it, but what fascinates me is that even to this day you can still find a number of fantasy writings where esoteric ideas and secrets are shared if you know what to look for. And if you don't know what to look for, well guess what? You're being given an education in magic and how it works so that if you get to that point where you actually start practicing you've already got some idea of how magic seems to work.

Kat and I like to discuss the books we are reading together, so we got into a long and fascinating conversation about not only Rudyard Kipling, but some of those writers who've written esoteric secrets into their fantasy. For example, if you've read any of Michael Moorcock's writings you'll find quite a lot of esoteric secrets shared. In Elric of Melnibone, he practically spells how to evoke an entity in several different instances where the character needs supernatural aide. In the Corum series, he focuses in on the magical aspects of gift giving and the connections gods have to people and vice versa. And there's a number of other series he writes in where he shares esoteric ideas and concepts, which I recognize many years later as playing a foundational role in my understanding of magic. As a young, impressionable reader the stories I read fascinated me because of the adventure, but as a magician I can see how my evocation practice has been shaped by what Moorcock wrote, as well as some of other esoteric beliefs and practices.

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How I'm working with Bacteria: An example of non-anthropocentric magic

Some of my latest magical work has taken an interesting turn, where I'm exploring my connection to the microbial life in my body. This work is not entirely new, as I've done similar such work with connecting with the neurotransmitters in my body, but how it is different from my earlier work as that I've decided to, as best as possible, approach working with the bacteria from a non-anthropocentric approach. What this means is that instead of trying to apply my human perceptions and the perspectives to the experience, I'm trying to be consciously aware of such perspectives as well as open to engaging the bacteria on their own level of consciousness. Part of my inspiration for this work can be found at this post and the links included in it. But part of my inspiration is simply my desire to experiment with magic, to see what I can do and how I can explore the universe around me.

In choosing to work with the bacteria in my body, I did some research. Usually when you see the word bacteria its associated with disease, but humans actually have  bacteria in our intestines (among other places), which exist in symbiosis with us and help us to process the food we eat. Bacteria also exist on the skin, mouth, and other parts of the body, and play some role in protecting us from harmful bacteria. This symbiosis is one of mutual support, where both the human host and the bacteria benefit. What strikes me the most is how even though human beings consider themselves to just be one identity, one life, in reality we are a universe all our own, full of life that we support, often without recognizing we support it. I suspect most people would be uncomfortable recognizing that they support a wide variety of microbial life. Instead we find it more comforting to just see the body as part of a singular identity we construct in relationship to the world around us.

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  • Travis Crockett
    Travis Crockett says #
    Pardon, *exploring not expelling.
  • Travis Crockett
    Travis Crockett says #
    This is pretty cool. I think its particularly praise worthy that you maintained the non-anthropocentric perspective. That's incred
  • Taylor Ellwood
    Taylor Ellwood says #
    Thanks Travis, It's something I'll be continuing to explore in more depth. I've found that by employing such an approach it real

Posted by on in Studies Blogs
How Magic can be Innovative

One of the books I'm currently reading,  The Necessity of Strangers, discusses how important it is to be open to different perspectives, outside of what you normally know. One of the intriguing stories they share is about a hair dresser, Vidal Sassoon, and how he developed his hair styles based off the Bau Haus architecture style that he'd seen in Germany. Now you might not think that architecture and hair design would have a lot in common, but Sassoon saw something in the architecture that he could bring over to hair design. He understood that certain principles of the architecture, especially the simple geometrical focus could also be applied to hair. The result was a change in hair styles and the formation of a brand of hair care products still used today. And all it took was a person being open to considering alternative perspectives outside of the obvious ones found in his discipline.

Now what does that have to with magic and how magic can be innovative? Occasionally I get asked how I've developed my ideas and techniques of magic, especially since some of them aren't based on traditional perspectives found in magic. The answer is that I'm always looking for different perspectives, inspiration, and ideas from other disciplines outside of magic that I nonetheless feel can inform how I approach magical work. For example, I'm reading Understanding Comics and When: The Art of Perfect Timing. Neither book as has anything overt to do with magic, but both books provide some intriguing perspectives on time and space and how people perceive and work with both elements. In turn, what I've learned from these books has been and will be applied to my own magical work, both with space/time magic, but also in other areas of magic where the perspectives inform how magic can be done.

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Recent Comments - Show all comments
  • Hope M.
    Hope M. says #
    I am getting my certification in coaching, and one of the ways we get our clients to experience growth is by assigning them practi
  • Taylor Ellwood
    Taylor Ellwood says #
    Hello Hope, I'm a coach myself. It's quite a fun journey and I wish you success as you become certified and explore it in whateve

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