Goddess Centered Practice
In the woods behind my house rest a collection of nine large flat rocks. Daily, I walk down to these “priestess rocks” for some sacred time alone to pray, meditate, consider, and be. Often, while in this space, I open my mouth and poetry comes out. I’ve come to see this experience as "theapoetics"—experiencing the Goddess through direct “revelation,” framed in language. As Stanley Hopper originally described in the 1970’s, it is possible to “…replace theology, the rationalistic interpretation of belief, with theopoetics, finding God[dess] through poetry and fiction, which neither wither before modern science nor conflict with the complexity of what we know now to be the self.” Theapoetics might also be described, “as a means of engaging language and perception in such a way that one enters into a radical relation with the divine, the other, and the creation in which all occurs.”
Poem: Persephone's Return
I carried lemon balm
and sweet almond oil with me
into the woods
and sat on a stone.
I saw three vultures rising and falling
wheeling and whirling
gracefully above the valley
and a single black crow zip busily
along the horizon
as its kin called raucously
from unseen trees.
A neat triangle of nine geese
passed above my head,
close enough for a chance
to hear the rhythmic sounds
of their wings moving the air
as they passed me by.
I encircled myself with lemon balm,
scattering it loosely
on the leaves around my rock.
I anointed my body with sweet drops
of scented oil
and whispered some wishes to the wind.
These, my own spontaneous
and solitary
rites of spring.
Suddenly, the slowly coasting vultures
changed course
and angled across the blue sky above me.
I felt the shadows of their long wings
gently cross me
as I sat silent in my circle
and felt tears rise into my eyes
and laughter rise to my lips
at the exact same moment
as I recognized the feeling
of Persephone’s return.
My book Walking with Persephone is available here.
And, a new interview with Turns Out She's a Witch is here.
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