I’ve been thinking about the ancestors a lot lately; it’s that time of year. In fact, they’ve even asserted themselves when I wasn’t seeking them, like the day I experienced a vision of a Minoan priestess undertaking a rite of prophecy through the ancestral spirits.
From the earliest times, the Minoans revered their ancestors. At the Autumn Equinox they held celebrations of the dearly departed, feasting and performing rituals in the shadows of the beehive-shaped tholos tombs where their ancestors’ remains were interred. They probably also honored the ancestors at grain harvest time, which comes around the Spring Equinox in Mediterranean climates. Some of the Minoan temple complexes had pillar crypts in their "basement" or underground levels, providing another place for offerings and communication with the dead.
As a young woman, I fell in love with the work of Mary Stewart and have read all of her books. There is one that is set in Lebanon called The Gabriel Hounds and from it I learned the phrase "gabble ratchet" which is a folk corruption of "Gabriel's hounds." It means the sound of wild geese flying, a sound that is evocative of a pack of baying hounds. In folklore, the Gabriel hounds are sometimes the souls of unbaptized children crying in the night, or they may foretell a death or they're thought to be the hounds of Hel(l).
In my heart, though, that eerie sound--so full of longing and grief--always evokes the Ancestors, the Beloved Dead. My writing desk sets by a west-facing window and that window looks out over the French Broad River. The Canada geese use the old river as a flight path that sweeps them northward to a couple of good feeding grounds and a man-made lake. In the spring, we are rewarded with the site of families of the gabble ratchets with their fuzzy chicks, grazing on the chickweed near the old railroad tracks.
There's so much during this season that I find myself trying to find any lightness, any humor. Hence the title of this piece. We hardly need to bring them out, Python-style, when they are insistently demanding our attention as the nights grow like looming stalactites.
Tonight I want to write a bit about Ancestor altars. Do you have one? Do you leave it up, year-round, or put it up just after the Autumnal Equinox? I've been asking colleagues which they prefer and it's about evenly divided. For the record, I keep one up year-round because my root work is dependent on keeping my Ancestors in-the-know. And also, happy. I like some happy Ancestors, me.
So here I am at Samhain-tide again. Like many Pagans this is the "big one", our month when we get to be as witchy as we want and it goes mostly unnoticed because everyone out there in the Western world is hanging up skeletons and foam cut outs of owls and black cats.
It's also the month where I find myself running from pillar to post, organizing and priestessing all sorts of Samhain-related events. As is often the case, I'm part of the organising team for the 35th annual Reclaiming Spiral Dance in San Francisco. I'll be part of North Bay Reclaiming's Samhain ritual and this year I'll be at a four day retreat in the Mendocino Woodlands called "Mysteries of Samhain". I'm fortunate to be a busy witch.
I know we traditionally associate Beltane with sexuality, but autumn is a lively time of year for many life forms. There are nuts dropping all over the place, the deer will be rutting soon, and the fungi are waving their genitals.
The blood mysteries, they have called to me for years. The calling felt distant, an eery echo in an old worn in cave that lived deep within my wombspace, the house of my ancestors.
I remember watching the movie "The Passion of the Christ" when it was first released in the theatre. Never mind that Mary Magdalene was portrayed as a prostitute, despite the inaccuracy of the connection between her and the prostitue in the New Testament I was glued to the two women in the film, the characters of Mother Mary and Mary the Magdalene. There were two scenes in particularthat stood out to me. Watching Mother Mary run towards a falling Jesus during His long walk with His cross while the camera in slow motion flashed back to Mary running to catch a young child Jesus that was tripping and falling is one of the two scenes that has always stuck with me. The other scene that stood out to me included both Mary's and the wife of Pilot, the man who washed his hands of Jesus' fate. In this scene Jesus' bloody and torn body has been dragged away after being viscously flogged publicly leaving behind pools of blood. Pilot's wife approaches the Mary's with a handful of white cloths, silently both Mary's get down on their knees and begin to mop up the blood, when the cloth is used up they take the shawls from atop their heads and begin to soak up His blood with that. I was young in my journey when this movie came out and fresh to my 20's, as I watched alongside an avid born again Christian roommate I knew that I was witnessing something profound, something sacred.
Erin Lale
Fellow faculty at Harvard Divinity School posted an open letter to Wolpe in response to his article. It's available on this page, below the call for p...
Erin Lale
Here's another response. The Wild Hunt has a roundup of numerous responses on its site, but it carried this one as a separate article. It is an accoun...
Erin Lale
Here's another response. This one is by a scholar of paganism. It's unfortunately a Facebook post so this link goes to Facebook. She posted the text o...
Erin Lale
Here's another link to a pagan response to the Atlantic article. I would have included this one in my story too if I had seen it before I published it...