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We often find ourselves yearning for light and warmth during these last winter months in the northern hemisphere. We grow tired of being bundled up, of shivering, of staying indoors. Yet, if we look carefully, we begin to notice that, little by little, the light is growing. Situated in the fading of winter, the holidays celebrated on February 2nd -- Groundhog Day, Imbolc, Candlemas -- feature an interplay of shadows and light as we approach revitalization in many forms.

One of my favourite things to contemplate is the connection between folklore as its found in the living cultures, particularly the Celtic language speaking cultures, and folklore as its manifested in popculture. I have written articles about aspects of this and even presented a paper at the University of Ohio for a conference they had in February of 2019. There are so many diverse factors that influence and shape the way that folklore is preserved within a source culture and the ways that that same material is taken, reshaped, and spread throughout popular culture. 

As I was thinking about this all today, and particularly the ways that popculture reimagines older and existing folklore it reminded me of something. There was a time in Europe when very few of the educated elite there had been to Africa, especially the interior, and so descriptions of animals found there - and more to the point artwork depicting them - were quite fantastical. For example the image with this blog was created by Albrecht Durer in 1515, based on  a written description and rough sketch he had seen although he personally never saw a living (or dead) rhinoceros. 

Grains are goldening, apples and other fruits are ripening, and beehives are thick with honey. The harvest season has come and is rapidly maturing. While Lammas and Lughnasadh have passed in the UK and Ireland, other harvest holidays are still just beginning. Each festival celebrates the culmination of hard work and good luck, and marks the turning of the year, the slow fade of summer into fall, and the gratitude that people still feel for the benevolence of their lands.

Grains, Apples, and Honey

Color symbolism is a major and timeless element of magical practice. Colors have been used in spells and rituals, in the construction of talismans and spiritual art, and in the protection of the household for centuries. Humans are highly visual creatures; as animals, we rely primarily on our sight for nourishment and protection, and color perception has helped our species identify safe things from dangers. It's natural that colors would take on powers of their own over time.

A while back, my husband and I came across Escape to the Country on Netflix. We love house-hunting shows in general, and we enjoyed the glimpses into the local cultures, traditions, and landscapes of different regions of the UK, where the majority of our ancestors came from. In episodes featuring thatched homes, the straw bird finials that sometimes occupy the roof lines stood out to me as a particularly interesting craft. The show didn't make too much mention of them, but it was obvious that there was more to them than mere decoration.

It's a perennial discussion that goes around online and in-person: how much should we rely on personal gnosis and how much should we look to recorded material and other people's experiences (i.e. folklore)? This is a particularly pertinent question when it comes to those who interact with fairies because of the diversity of understandings that exist in relation to them. There are those who argue in favour of relying solely on personal experiences and those who reject the idea of modern experiences entirely, and some who advocate different balances of the two. I used to think balance was the ideal approach myself, but as I've thought about it I've come to a different view.

Folklore is an essential groundwork for anyone, in my opinion, who wants to understand the Good People. Whatever culture we happen to be talking about looking at the accumulated material that has been collected to describe previous people's experiences with and beliefs around fairies is enormously helpful in building our own understanding. Such folklore represents a valuable corpus of belief going back countless generations that can be relied on to teach us how to safely interact with Otherworldly beings, what to expect in different circumstances, and show us various outcomes of previous encounters. In short, immersing in this folklore means we don't have to learn all the hard lessons (hopefully) all over again for ourselves because we can look back to other people's previous experiences to help guide us.

I often see transparent gossamer threads emanating from each person, connecting us together and binding us and our ancestral traditions together. Our Akashic memories from the past form patterns for the future.