PaganSquare


PaganSquare is a community blog space where Pagans can discuss topics relevant to the life and spiritual practice of all Pagans.

  • Home
    Home This is where you can find all the blog posts throughout the site.
  • Tags
    Tags Displays a list of tags that have been used in the blog.
  • Bloggers
    Bloggers Search for your favorite blogger from this site.
  • Login
    Login Login form
Subscribe to this list via RSS Blog posts tagged in sacred feminine

The collective energy generated by any given religion should theoretically be fairly well balanced between masculine and feminine energy, but it can go off kilter if there is a serious gender imbalance in both the membership and the amount of worship given to gods, goddesses, and non-gendered beings. During the modern revival of heathenry, heathenry in general and Asatru in particular has attracted more men than women, and it hasn't always been a welcoming place for people who don't fit into modern culture's gender binary, although things have been getting better. The Troth's recent Loki Blot was a huge step forward in growing leadership by non-binary people and in providing space for LGBTQ+ voices.

There's still more work to do, though. Big organizations like the Troth have their own processes to move forward, but individuals can do things too, both in public work and private work. By public work I mean things like providing information on the net. By private work I mean things like doing small rituals at home. Here are a few ideas about things you can do to help out.

Public Work

One of the things I have tried to do with my forum, the Asatru Facebook Forum, is make a safe, welcoming space for women and QUILTBAG folks. Getting rid of trolls and providing space for people to talk about their personal religious experiences and gnosis benefits everyone of all genders and gender expressions, but since in some online communities women and LGBT+ people have been targeted, it is especially important for them to have a safe place to express themselves. I encourage other forum owners and moderators to do the same.

If you're already participating in the Heathen Visibility Project, you can try to include more images of women, goddesses, and objects associated with them. Masculine and feminine are not the only energies, nor the only traditional roles in heathenry, so we can also include more traditional rituals and activities that include or highlight drag or ritual transvetism for religious or magical purposes, heathens engaging in activities that defy conventional gender roles or which show how traditional heathen gender roles differ from modern ones in the wider society in which we live, and people who are nonbinary, transgender, gender fluid, etc., especially when presented in strong roles and positions. Even just moving someone closer to the middle of a group photo rather than on the edge can psychologically make a difference to the viewer. For more info on the Heathen Visibility Project, read the text of my speech on the Project at Las Vegas Pagan Pride Day 2019 here: https://witchesandpagans.com/pagan-paths-blogs/gnosis-diary/speech-on-heathen-visibility-project-ppd-2019.html

A relatively easy thing to do which will have a tremendous impact is raising the profile of women and trans, nb, and gender fluid leaders, authors, musicians, artists, temple keepers, festival organizers, etc. to match the status and fame of men of similar achievements. Search engines and internal site search algorithms for sites like Amazon give prominence to products like books and art that have a lot of reviews and ratings. If you've read an book on Asatru or another relevant product, review it! It makes a huge difference.

Wikipedia is one of the first places people look for information about just about everything. To take a non-random example, I don't have a Wikipedia page, despite being the author of a famous book that is traditionally published (Asatru: A Beginner's Guide to the Heathen Path, an updated version of my out of print book Asatru For Beginners.) There need to be more Asatru authors on the site in general. If you go to Wikipedia and put in "Asatru authors" the list is only one page long and an unfortunately large number of the returns are of white supremacists such as David Lane. You can help fix this right now by going to this link and requesting an Erin Lale page and a page for other notable Asatruars: https://en.wikipedia.org/wiki/Wikipedia:Articles_for_creation

Articles on Asatru and heathenry both by heathen and pagan reporters in pagan venues and by non-heathen and non-pagan reporters in general interest publications tend to quote multiple men and ignore other voices. If you are a reporter, try to be conscious about balancing your interview subjects with regards to gender. If you are contacted by a reporter about Asatru, and you want to refer them to several Asatruars and other heathens, try to refer them to women and T/NB/GF people as well as men.

The same goes for assembling panels on heathenry at conventions, and inviting presenters, ritual leaders, and panelist for pagan festivals. When organizing a festival, convention, or other gathering in which there will be various presenters and leaders, try for a gender balance of the presenters and leaders, and consider LGBTQ+ presenters even if they are less famous than your other presenters.

When participating in sumbel or other rituals in which participants are allowed to choose whom to honor, try to include the goddesses as well as the gods. When designing a ritual, shrine, gathering, etc., try to achieve a balance between gods, goddesses, and other beings of various genders or of no gender.

Private Work

I have a small shrine dedicated to Embla and to the female ancestors generally, especially those who have become powerful spirits connected with their descendants, which we in Asatru call the Disir. I always have some food or drink on it for them. It's a corner of the top of the hutch of my writing desk. I encourage other heathens to honor them as well, in whichever way seems best to them. Asatru has an official holiday for the Disir called Disirblot. Whether on a holiday, in home shrine keeping, toasting during a general gatherings, or in some other way, remember the female ancestors.

If you have a personal practice that includes lots of gods but not many goddesses, or lots of masculine powers but fewer powers who are feminine, non-gendered, gender fluid, etc., consider adding some of those to your personal altars etc. and communicating with them more. If you don't know any of the feminine or nonbinary powers as well as you know the masculine ones, considering learning more about one or more of them. There's a handy list of the gods and goddesses and another handy list of the other powers in my book. Or if reading names on a list doesn't work for you to find one that strikes your fancy, try looking at either classical or contemporary heathen art or reading contemporary poetry in a pagan magazine, and see if you are intrigued by anyone new.

...
Last modified on
Inspired Reading: Seasons of Moon and Flame

Several years ago I wrote a post that was inspired by reading a book by Danielle Dulsky entitled, Woman Most Wild: Three Keys for Liberating the Witch Within. It came at a time when I needed a reminder of the power of the sacred feminine and acknowledgment of the wilder, less sweet nature of the feminine polarity. 

Now, in the midst of COVID-19 and the uncertainty and lack of power that many fear, another of Danielle's books has made its way to my door and into my life. This title-Seasons of Moon and Flame; the Wild Dreamer's Epic Journey of Becoming gave me pause to reassess much of what I have taken for granted as part of my nature and the pressures of moving at lightning speed. The back cover speaks to what lay inside the pages of this book....

...
Last modified on
A Fall Equinox Mystery: Persephone and the Sacred Feminine

At the edge of the edge of the sunlit realm, where a rough-hewn stone stairway leads down into the velvety darkness of the Underworld, Persephone awaits you, still and silent, wrapped in a black cloak that rustles in a bone-chilling wind. She is beautiful and fearsome, with penetrating dark blue eyes, pale skin, lips the rich red of pomegranate, and long, lustrous ebony brown hair.

This is not the young maiden Goddess, alight with joy and innocence, that you may have read about in the ancient tales, but a regal being who has fully claimed Her place and sovereignty in the great weaving of life.

“Change is in the air,” Persephone says after She has greeted you, “For millennia, humanity has rejected the ways of the sacred feminine and the powers of the sacred dark that reside within the Underworld. There is a grievous imbalance in your world that cuts you off from the natural cycles and powers of life, and your own whole/holy nature.

Yet the season of humanity is turning and a great awakening is upon you. Your Deep Self is reaching for you, calling you to a life of soul and drawing you back to my side and the lost ways of the sacred feminine.”

She extends Her arm and you wrap your fingers in the soft, black folds of Her cloak. The space around you shimmers and morphs, and you find yourself transported to another time and place, looking out on a scene from when the world was fresh and new.

A younger version of Persephone plays in the meadow before you, picking flowers and smiling Her delight. Her face has the warm tones of skin kissed by sunlight and Her eyes are of a lighter shade of blue gray.

“You see me here when I lived in the bright circle of my Mother Demeter’s loving embrace,” the older Persephone beside you says, “Life was very, very good. The green-growing realm was my playground and I wanted for nothing. Yet I was restless, always seeking the outer edge of things, hungry to know more, experience more, become more.”
 
As you watch, the young Persephone wanders further and further from the meadow and the protective circle of Her Mother. Her light-hearted smile has been replaced by an intense focus, as if She is being drawn forward by a compelling, irresistible force.

A great fissure appears in the Earth at Her feet and a God-like being emerges. He emanates a powerful elixir of animal magnetism and ethereal beauty, as if He is equally woven of flesh and of light. A piercing cold spreads outward from His body, withering the wildflowers and yellowing the leaves within reach of His frosty breath. Yet His somber, coal-black eyes are filled with tender warmth as He gazes down at the lovely Persephone.   

“Hades,” She whispers with a note of longing in Her voice and taking a tentative step in His direction.   

“Come,” He says, extending a hand to Her, “it is time for your awakening.”

For a moment young Persephone pauses, looking over Her shoulder from where She came and then down into the inky darkness before Her. And in this moment, it is as if you are inside of Persephone, feeling the push and pull of Her trepidation and profound hunger in the face of this vast unknown realm. A calm determination rises up from Her core, quieting Her fast beating heart and steeling Her resolve. Then She slips Her hand into Hades’s, a faint smile playing across Her lips, and the Earth closes over their heads, swallowing them whole.

The scene disappears and you are once more standing beside the older Persephone at the stone steps leading into the Underworld.

“Life never stands still,” Persephone says, “Something inside of us seeks the edges of what we know in search of our deeper and greater becoming.

“No matter my worldly knowledge and gifts, and all the lovely things that gave me joy and pleasure, I was incomplete in the sunlit realm of my Mother’s world. The dark side of my feminine nature was missing, compelling me to descend into the Underworld, with Hades as my companion and guide, to find and awaken the dormant pieces of my whole/holy nature.”

As Persephone speaks, the light fades from the sky and a profound stillness settles on the land. Fall is in the air and the natural world, like Persephone, has begun its descent into the secret mysteries of darkness. 

“I tell you my story so you may know the ways of the sacred feminine,” Persephone continues, “To seek the true power and nature of your Deep Self, you must step past the border of your known world into the depth of the Underworld that resides in the inner folds of your psyche and in the mysteries that underlie waking reality.

“When you brave the Underworld and travel its ways, you reclaim what has been lost, the sacred feminine and the sacred dark, and you begin the hard, hard work of returning balance and wholeness to your life and your world. Your journey will not be easy because the trials and revelations of the sacred dark are meant to test and teach you. And yet, if you follow in my footsteps and stay the course, healing and profound change will come.

“This journey of soul begins with wherever you are right now, at this moment. Whatever is ready to awaken in you waits for you in the sacred dark.”

Persephone places Her hand on your chest, sending Her wise teachings into the core of your being. Her story is your story, the story of the turning of the seasons into Fall, and the story of the unfolding of our collective humanity. Always at the Fall Equinox, the sacred darkness opens portals that beckon to a new cycle of healing and growth.

Then Her touch and Her presence are gone. Yet you are not alone at the portal to the Underworld. He waits for you on the stone stairs, a magical messenger to guide your journey back to your Deep Self.

“Come,” He says, His hand extended to you and His eyes brimming with tender warmth,  “it is time for your awakening.”

Take His hand, descend; the sacred darkness and your deepest becoming await you.

Last modified on
Mother's Day! A Hallmark Moment or Celebration of Creation?

As I think on the meaning of Mother's Day I am drawn to both the commercialism and the potential for deepening my relationship with the creative feminine. 

I have been richly blessed to be a mother of five children. This being birthed from a space of thought that firmly believed I did not want marriage or children; only a career as a professional ballerina. The marriage came at the age of 21 after less than a year of dating my husband and I did not question that decision, simply knowing it was right. Last year we celebrated our 40th anniversary, so I guess I was correct in following my instincts. 

...
Last modified on
Our Whole, Holy Womanhood: A Death and Life Story

I was born into a world that didn’t teach me what it means to be a woman in accordance with my true, sacred feminine nature and power. Instead, it made me see my womanhood as weak, small and inferior, meant to serve and please others. It taught me that power was an outside force, defined and imposed by others, that belonged to the realm of men.   

Though I started my adult life on the wrong track, seeking my place and power in a masculine-defined world as an educated, career-focused business woman, my deeper Self had another plan that set me on the path of reclaiming the lost fragments of my whole, holy womanhood.

I did feminist graduate studies, ran my own gender-equity consulting business, read countless books on women’s ways and Goddess theology, spent countless hours in therapy and personal development, moved away from the city to a small, rugged island to reconnect with Nature, practiced magic, went to witchcamp, and became a priestess, dreamer and daughter of the Goddess.

Still something essential was missing, connected to the dark, death powers of my sacred feminine nature. This is the story of when this precious fragment returned to me.

It's the early hours on the day of the Winter Solstice. I jolt awake with the word “miscarriage” screaming in my brain. I dash to the bathroom to find blood coming from me that isn’t supposed to be there at week eleven in my pregnancy. My partner soothes me, and calms me down enough to take me to the hospital. Later that morning, an ultrasound confirms that our baby has died — a child we had consciously conceived and desperately wanted.

Our midwife gives us a choice: to stay in the hospital for a procedure or to let things run their course at home. I’ve been down this road before, having miscarried five years earlier. No one had told me then that thirty percent of first-time pregnancies end in miscarriage, nor prepared and coached me for this eventuality. We had gone the hospital route, and the experience had been disorienting and disempowering. This time would be differently; I would tend my own miscarriage.   

In the darkest hours of the night, in the turning before the new dawn, my womb begins to convulse, releasing the dead life within. For hours, with each release, I collect the tissues of our child in a one-quart mason jar, not knowing which would have been his perfect face, his beating heart, his tiny body, his reaching hands, and his sweet toes. There are no eyes for me to close, or lips for me to kiss goodbye. This indistinguishable flesh, mixed with my life-giving blood, is all my partner and I have to mourn and bury.

In the midst of my keening grief, I remember myself — witch, priestess, wise woman — Holy Whore, Holy Reaper — midwife to both life and death moments with the powers of creation and destruction within my living womb.

Like all transformative moments, I have a choice: I can collapse into my grief and loss, bleeding myself into oblivion, and following the wisp of my child’s departed soul, or I can become something new, something that I’ve been traveling toward in my many years of collecting and mourning the death bits of my life, and gathering back the shattered fragments of my womanhood.

Naked and aching raw, I lift my blood-stained hands to the returning light, trusting that to be fully present — to feel all and resist nothing — to claim myself and my life as whole and holy — that a new dawn, a new beginning will come.

And I change. I become big enough, wild enough, wise enough, powerful enough to contain my bottomless grief and my unbounded love, not only for this child I’ll never hold in my arms, but for my own wounding and my own beauty, and all the death bits I’ve suffered to arrive awake and present for this death moment.

This story isn’t just about my whole, holy womanhood, but about yours as well.  Our world has deceived us. We aren’t weak or small.  We aren’t inferior and beholden to men and their ways of power. Our purpose isn’t to serve and please others, although nurturance, care and compassion are part of our sacred feminine nature. Instead, we’re big and powerful in our own right, with the presence and capacity to encompass the light and shadow, life and death, and beauty and wounding of our personal stories and collective humanity.

These greater capabilities of our womanhood aren’t a feminist fantasy. Our ancient feminine ancestors lived in accordance with their whole, holy nature. They were the red-cloaked ones, priestesses, leaders, healers and counselors that guided their communities through the natural cycles of birth, life, decay and death. Our very bodies have the powers to give and to take life. While our culture amplifies women’s ability to give birth, it completely ignores our innate capacity to terminate a pregnancy that isn’t viable. Miscarriage is natural; though it breaks our hearts, the babies our bodies reject were never meant to be.      

My story has a happy ending. On this Winter Solstice, despite my heartbreak and the death and despair that threatened to overtake me, I reached for life and my whole, holy womanhood, and life reached back. I changed profoundly, becoming a woman and priestess of the light and the dark, and of life and of death. This deepened my healing journey, physically and spiritually, making me strong and present in new, empowering ways. I consciously prepared my womb and my heart for new life, and a couple of years later, as the seasons turned to Spring, I gave birth to a beautiful baby boy.    

Last modified on

Posted by on in Culture Blogs

 

My book Faultlines argued our country is going through on of the most divisive periods in Western history, at three progressively deeper levels. First is the cultural split rooted in the divergent paths the North and South took over slavery, a split reignited with the Civil Rights movement and the Republican Party’s “Southern Strategy.” 

...
Last modified on
Recent Comments - Show all comments
  • Jön Upsal's Gardener
    Jön Upsal's Gardener says #
    "A free society depends on recognizing people will disagree politically and NOT BE ENEMIES." So your answer is to label people wi
  • Gus diZerega
    Gus diZerega says #
    Just got to your comment as in July I was packing and much of August has been spent getting settled in New Mexico. That said, you
  • Jamie
    Jamie says #
    Mr. diZerega, I am conflicted about Trump's candidacy. I dislike him. But if he wins, it will be the last hurrah for his politica
  • Gus diZerega
    Gus diZerega says #
    Trump is a man with a long record of fraud against those weaker than himself. In his speeches he urged violence against demonstrat
Sacred Feminine or Goddess Feminism?

In recent years “the Sacred Feminine” has become interchangeable with (for some) and preferable to (for others) “Goddess” and “Goddess feminism.” The terms Goddess and feminism, it is sometimes argued, raise hackles: Is Goddess to replace God? And if so why? Does feminism imply an aggressive stance? And if so, against whom or what?

In contrast, the term “sacred feminine” (with or without caps) feels warm and fuzzy, implying love, care, and concern without invoking the G word or even the M(other) word--about which some people have mixed feelings. Advocates of the sacred feminine stand against no one, for men have their “sacred feminine” sides, while women have their “sacred masculine” sides as well.

Nothing lost, and much to be gained. Right? Wrong.

Perseus with the Head of Medusa: Sacred Masculine?
Perseus with the Head of Medusa: Sacred Masculine and Sacred Feminine?

When Goddess feminism emerged onto the scene, it had a political edge. It was about women affirming, as Meg Christian crooned in “Ode to a Gym Teacher,” that “being female means you still can be strong.” Goddess feminism arose in clear opposition to patriarchy and patriarchal religions. It was born of an explicit critique of societies organized around male domination, violence, and war; and of the male God or Gods of patriarchal religions as justifying domination, violence, and war. In this context, “the sacred masculine” was not understood to be a neutral or positive concept. To the contrary, the male Gods of patriarchy were understood to be at the center of symbol systems that justify domination.

Last modified on
Recent Comments - Show all comments
  • Francesca De Grandis
    Francesca De Grandis says #
    Carol, thanks for encouraging the idea that making readers comfortable is not necessarily the honorable thing for a wordsmith to d
  • Carol P. Christ
    Carol P. Christ says #
    Thanks Lisa.
  • Lisa Sarasohn
    Lisa Sarasohn says #
    Thanks again for your elucidation, Carol. In the past, I've titled my workshops "Embodying the Goddess" and "The Goddess In Our Mi
  • Lisa Sarasohn
    Lisa Sarasohn says #
    And for a stirring performance of the song, see https://youtu.be/MQrC2pEalJ8
  • Ted Czukor
    Ted Czukor says #
    Thank you, Lisa. I'm glad that young people are still singing it, in all the languages of the world. And thank you, John.

Additional information