This is the first entry in Carl Neal's new blog, "Incense Magick." Entries for "Circle of One" can still be found in the archives of Carl Neal's writing on PaganSquare.
I started making incense in 1995. Since then I have taught thousands of people to make incense in various workshops and classes and tens of thousands through my books, web sites, and You Tube channel. I obsessively research incense and read every book I can find on the topic. Over the years of speaking with various practitioners and students, as well as reading many “magick 101” books, I have learned that most people regard incense as representative of the element of either fire or air (or occasionally both). For decades now I have respectfully disagreed.
What's missing in modern life (and most modern western religion) that sends people in search of everything from Peruvian ayahuasca rituals to Native American sweat lodges and peyote ceremonies? Ecstasy.
I don't mean the street drug, but the state of consciousness that takes us out of the ordinary and transports us closer to the numinous, the divine.
Some of us are haunted by the idea of perfection. It holds us back from our creative work; from any of our important work, for that matter. We fear we won't be able to do justice to the idea in our head. We've tried writing or painting or dancing, and somehow the brilliance of what we envision becomes corrupted as soon as we try to make it manifest. And there's that nagging voice in the back of our heads telling us what we have always known...that we're not good enough. That we will never have the skill to create what we dream of. That if it's not perfect, they'll deride us, they'll tease us. They'll reject us. Nobody will like us.
“Blessed Brighid burning bright Lead us from the darkest night Triple Goddess of new life Shine your flame on us tonight Perpetual flame of love and light…”
One of the ways we can puzzle out how the Minoans practiced their religion is by looking at their art. Much of their art - frescoes, seal stones and rings, carved vases - contains ritual scenes that give us a glimpse into their spiritual life. And some of the most famous frescoes are from the Minoan town of Akrotiri on the island of Santorini (it was called Thera in the ancient world).
One of the buildings in Akrotiri, called Xeste 3, appears to have been a ritual building where coming-of-age rites were held for girls and boys. How do we know that's what happened there? The frescoes show us!
“Beginnings and endings are so very sacred, to give honor to all that has transpired, every experience, every joy, every pain, is a doorway to the magical. Hold your entire year between your hands, every day, every thought, every breath. Now bless it with gratitude, love and humility. You have done more to transform this new year than a thousand resolutions.”
Erin Lale
Fellow faculty at Harvard Divinity School posted an open letter to Wolpe in response to his article. It's available on this page, below the call for p...
Erin Lale
Here's another response. The Wild Hunt has a roundup of numerous responses on its site, but it carried this one as a separate article. It is an accoun...
Erin Lale
Here's another response. This one is by a scholar of paganism. It's unfortunately a Facebook post so this link goes to Facebook. She posted the text o...
Erin Lale
Here's another link to a pagan response to the Atlantic article. I would have included this one in my story too if I had seen it before I published it...
Hello Carl! I joined the website just this evening and was delighted to see there was another incense fanatic like myself. My fasc
