Sisterhood of the Antlers

Walking the path of the Ancestral Mothers of Scotland with stories, art, and ritual

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The Story of Celtic Soul Beads

Posted by on in Paths Blogs


I’ve always felt the steady rhythm of beads moving through your fingers comforting.  They introduce a regularity, a heartbeat which calms my racing mind. From Catholic Rosary beads as a child or in later years rounds of mala beads provided this route yet neither fitted as they weren’t of my tradition. While I am only vaguely familiar with traditional Celtic prayer beads – the Paidirinean, I was drawn to create Celtic Soul Craft Prayer Beads.

New prayers beads nov.jpg

The new sets in the shop!

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My Tradition

Celtic Soul beads are born from my tradition which involves a deep communication with the land and a relationship with the ancestral energies of that place. My culture is a circle culture which stretches back through generations of wise women, of women who knew the thresholds of life and death and carried the stream of their ancestor’s voices. Ancestors who were weavers, drummers and singers – women versed in herbalism, stone medicine and doll making, women whose language was ritual and ceremony, women who danced between the worlds.

How to Work with the Prayer beads Set

I particularly enjoy using the beads as a morning meditation with no thought, just letting my fingers move slowly around the circle. In times when I need them, I find it comforting to hold them and simply breath into the circle, slow deep breaths which help me find my feet again and root me back into life. You can work with them through the phases of the moon and the holydays of the year. I will provide some suggestions on how to work with the beads although I am sure you will find your own way.

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Symbolism of the Beads

There is an order to each set of beads - this begins with the pendant, which sets an inspiration for the connection which is followed by 3 beads called the ‘step beads’ - envisage them as preparing to enter into sacredness, such as the last three steps before entering a temple.  The next beads (which is often the biggest bead in the set) is the mystery bead - which is an inspiration to consider the great mystery, call it source or creation. In the temple, you may dance, sing or kneel - all before this mystery. The circle of beads forms a circle, the wheel of life and the wheel of the year. There are 8 sections representing each of the holydays and the shifts between each holyday are represented by the threshold beads.

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The Deer

When I first started making prayer beads I was using different pendants for each set and as I sorted through my box of pendants I came across an antler with a drilled hole - just as I was turning the antler over in my hand I felt the need to go outside to the garden. As I stood on the porch I looked down the garden to the little teeny stream that flows and I couldn't see anything in particular - then it was if a couple of branches were moving, but there weren't any trees in that spot then all of a sudden I saw a herd of deer! How strange that they were in full sight all the time and yet I didn't see them! There have been raccoon and possum visitors, bears, chickens, a rabbit, a host of wild birds (the garden is their land too) but I've never seen deer. There were two adult females, an adolescent, and two smaller deer. I was so excited to see them and a definite indication for antlered prayer beads! 

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Sisterhood of the Antlers

While some may honor Elen of the Ways (and antlered wearing diety from the UK), I have come to know an ancient old antlered one. She comes from a time before words like 'Goddess'. She is female wearing antlers which speaks to a far older antler wearing herd - the reindeer who lived in Britain when it was connected to mainland Britain. For more of this story and weaving the great antlered one into our lives check out the link below to join our free online community - Sisterhood of the Antlers.

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Breathing Into the Circle

Each person is invited to find their own meaning. My main use of these beads is to pick them up and begin the pilgrimage with my fingers around the circle. As I begin to think about the circle I’m traveling I imagine breathing into that circle. A circle which holds all the mystery of life. I breathe out what I’m holding and want to release and then breathe in from the circle – it’s one of the few things that quiets my mind and lets me connect to the vastness of life with its thousands of connections. I find this is a wonderful morning meditation to root you into the day.

Other ways of Using the Prayer Beads:

You may simply wish to use the chant using three words which offer the essence of the particular holy day or to represent a situation

  • You may simply wish to use the beads with your own chant/prayer (protection, intention, gratitude)
  • Use them while walking, in ritual or in quiet time at your altar
  • Work with them in creating your intentions at new moon
  • Concentrate on the symbolism of the particular holyday of the wheel

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What People Have Been Saying About Celtic Soul Beads:

‘My beads have become constant companions as I go through the day‘, A. Harrison
 

‘Powerful and beautiful soul practice tools. Working these beads through my hands I can feel the strength, love and intention in their creation and I’m so grateful that they have come to me. Thank you for your incredible work in the world and on this rosary’. L Blinn

I received the prayer beads today, and they are beautiful – thank you again for crafting something so powerful and full of medicine and magic. Jane V.

 

 

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Last modified on
Jude Lally is a forager of stories. You’ll find her out wandering the hills around Loch Lomond, reading the signs that guide her to stories in the land.

As a Cultural Activist, she draws upon the inspiration from old traditions to meet current needs.
She uses keening as a grief ritual, a cathartic ritual to express anger, fear, and despair for all that is unfolding within the great unraveling.
As a doll maker, she views this practice as one that stretches back to the first dolls which may have been fashioned from bones and stones and ancient stone figurines such as the Woman of Willendorf. She uses dolls as a way of holding and exploring our own story, and relationship to the land as well as ancestral figures.

She gained her MSc Masters Degree in Human Ecology at the University of Strathclyde (Glasgow, Scotland) and lives on the West Coast of Scotland on the banks of the River Clyde, near Loch Lomond. She is currently writing her first book, Path of the Ancestral Mothers.

Website: www.pathoftheancestralmothers.com

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